It’s hard to fault the pitch behind The Gingerdead Man. Gary Busey plays Millard Findlemeyer, a mass murderer who, after testimony from a survivor of his attack, Sarah Leigh (Robin Sydney), is executed. His mother, a witch, claims his ashes afterwards, and mixes them into some gingerbread spice, which she then delivers in secret to the bakery owned and operated by Sarah. Some blood is inadvertently added to the mix, and when a dough is made and baked into the shape of a gingerbread man, Findlemeyer’s soul comes back to life, possesses the cookie, and goes on a murderous rampage of revenge. Continue reading “October Horrorshow: The Gingerdead Man”
Tag: 2005 in Film
October Horrorshow: Razorteeth
Regular readers of the Horrorshow and Shitty Movie Sundays will know that I have an appreciation for John and Mark Polonia, the twin brothers behind shot-on-video gems Splatter Farm and Hallucinations. Those flicks were a combination of amateurish and sublime that is hard to fathom without actually seeing it. Their relentless love of filmmaking, horror movies, and their ability to work on the cheap kept them employed in the movie business. But, actual growth as filmmakers, and in particular, storytellers, is something that is sorely missing from their oeuvre. As time marched on, the efficiency of their movies seems to have superseded all else. Almost twenty years on from Splatter Farm, 2005’s Razorteeth lacks all of the charm and intensity of the early movies, and continues a pattern of absolute bottom-feeding filmmaking. Continue reading “October Horrorshow: Razorteeth”
Attack of the Franchise Sequels: Hellraiser VIII: Hellworld
Like the previous three films in the Hellraiser franchise, Hellraiser VIII: Hellworld, did not begin life as a Hellraiser story. Unlike the previous three, however, Hellworld was not a rewritten spec screenplay, but an adaptation of the short story Dark Can’t Breathe by Joel Soisson, with screenwriter Carl V. Dupré shoving in all the necessary Hellraiser bits, in the form of the puzzle box and Pinhead (Doug Bradley). So, even though the source material was different, the process was relatively the same. What’s most surprising about this flick, though, is that it feels much more like a natural Hellraiser story, rather than a cut and paste job, than any of the last three flicks. Nice job, Dupré. Continue reading “Attack of the Franchise Sequels: Hellraiser VIII: Hellworld”
Attack of the Franchise Sequels: Hellraiser VII: Deader
Hellraiser VII: Deader began life as a spec script called Deader, from screenwriter Neal Marshall Stevens, purchased by Miramax when every production company in Hollywood was still looking for the next Seven. Like with the two previous films in the Hellraiser series, the script was reworked into a Hellraiser movie, by adding the iconic puzzle box and Pinhead (Doug Bradley, as always) to scenes here and there. It’s rarely a good sign when it is obvious to viewers that a movie is a rework. Miramax, the company that owns Hellraiser, has been a poor steward for the property, shunting it off to direct-to-video releases utilizing reworked red-headed stepchild screenplays and miniscule budgets. All atmosphere and nuance from the first film have been totally excised, leaving the series anonymous and dull. What a shame. Continue reading “Attack of the Franchise Sequels: Hellraiser VII: Deader”
October Horrorshow: Constantine, Rhymes with Tangerine
Back in 1993, DC Comics, under the direction of editor Karen Berger, took six of its mature readers titles and placed them under a new imprint — Vertigo. The Sandman, Swamp Thing, Doom Patrol (after a legendary run by writer Grant Morrison), Animal Man, Shade the Changing Man, and Hellblazer (featuring John Constantine, rhymes with clementine) were titles that had grown beyond the core superhero titles of DC’s lineup. Berger had been responsible for much of this, bringing aboard creative talent which would have been wasted penning yet another year-long superhero crossover designed to simplify DC’s bloated continuity, or spending day after day drawing just the right amount of ripples in Superman’s abs. Continue reading “October Horrorshow: Constantine, Rhymes with Tangerine”
October Horrorshow: The Amityville Horror (2005), or, Jump Scare: The Movie
I didn’t find the original Amityville Horror all that memorable of a horror flick, but it had more than its fair share of iconic moments, what with the bleeding walls, fly attacks, and exterior look of the house. It was based on a book that was a supposedly true telling of events the Lutz family experienced after moving into a house on Long Island in the 1970s. The whole story has since been shown to be bunk, part of the Ed and Lorraine Warren hoax industry, but some real awful events did occur in the house prior to the Lutz’s arrival that were used as a precursor to what was supposed to have occurred with the Lutz family.
At around three in the morning on November 13, 1974, Ronald DeFeo, Jr. entered the bedrooms of his sleeping relatives — his parents and four siblings — and killed them with a lever-action rifle. DeFeo claimed he did it because he was hearing voices. Six murders carried out in the middle of the night. That’s brutal stuff. To this day DeFeo remains in prison in upstate New York.
In 2005, another adaptation of the book was made. Since the original film spawned a number of sequels and became a horror franchise, this new film can be considered a reboot as much as a new adaptation. This telling comes from screenwriter Scott Kosar and director Andrew Douglas. It stars Ryan Reynolds and Melissa George as George and Kathy Lutz. The two need a bigger home for their family and can hardly believe the deal they got on the Dutch colonial house right on the water. Continue reading “October Horrorshow: The Amityville Horror (2005), or, Jump Scare: The Movie”
October Horrorshow: Saw II
Like the poor characters who populate the Saw franchise, I seem to be a glutton for punishment. I roundly excoriated the first Saw film and the torture porn subgenre of horror in yesterday’s review, yet here I am, writing a review of another Saw flick. I can’t seem to look away, and that’s part of the point of these films, right? During the progression of the series, plot continued to descend further into a convoluted pastiche that existed only to place characters into harm’s way, where they were confronted with machinery designed to maim them and delight us viewers. Continue reading “October Horrorshow: Saw II”
October Horrorshow: Urban Legends: Bloody Mary
I love seeing famous people in early roles. It’s a reminder that even the most successful of us have to start somewhere, even if grandpa owns a football team. Before she played a conniving investigative reporter in House of Cards, Kate Mara was slumming it as the star of the direct to video horror flick, Urban Legends: Bloody Mary. I’m reminded of Philip Seymour Hoffman in Twister, Paul Rudd in the sixth Halloween movie, Matthew McConaughey and Renee Zellweger in that awful Texas Chainsaw flick, and, the pièce de résistance, George Clooney in Return of the Killer Tomatoes. It seems that horror is fertile ground for the stars of tomorrow. I wonder which young, struggling talent will emerge from today’s shitty horror flicks? Continue reading “October Horrorshow: Urban Legends: Bloody Mary”
October Horrorshow: The Fog (2005)
John Carpenter is one of the few filmmakers who ever made a remake at least as good as its source material. Hell, with The Thing, he may have made a better movie than Hollywood legend Howard Hawks. I can’t form a concrete opinion either way. Continue reading “October Horrorshow: The Fog (2005)”
October Horrorshow: Return of the Living Dead: Rave to the Grave
“Ugh. I hope this isn’t a waste of my fucking time.” So said I before I hit ‘play.’ I’m not kidding. Those were the words that came out of my mouth. Considering how much time I spend watching shitty movies, I really have to have low expectations going into a film if I’m worried about whether it will constitute a waste of said time. Oh, God. I’ve wasted my life. Continue reading “October Horrorshow: Return of the Living Dead: Rave to the Grave”