Adapting their own successful stage play, writers and directors Andy Nyman and Jeremy Dyson have crafted a ghost flick that is, at times, among the most frightening that has been made this decade, and at other times is a cataclysmic rush to an uneven finale.
From 2017, Ghost Stories is somewhat of an anthology film, but the three separate tales that make up the film are bound together by a wrapper story in such a way that it can be considered a single narrative, as well. Nyman plays Professor Phillip Goodman, the presenter of a British reality show that debunks psychics. In an early scene, viewers see Goodman expose a spirit medium as a fraud. Continue reading “October Horrorshow: Ghost Stories”
I’m about to write something that will call into question my credibility as a reviewer of horror films. I believe Creepshow is the best film George Romero directed. Blasphemy! What has led me to such low depths; to such sacrilege against Romero’s groundbreaking classic, Night of the Living Dead? How could I possibly elevate Creepshow not just above the incredible Night, but also above Dawn of the Dead and Day of the Dead? It might have something to do with the writing. Continue reading “October Horrorshow: Creepshow”
Despite its association with horror, few horror movies are Halloween themed. This might be a good thing, or it might be a missed opportunity. I don’t know. What I do know is that in seven years of doing the Horrorshow, comprising over 150 reviews, only the six movies from the Halloween franchise that I’ve reviewed so far have taken place during the annual celebration of all things morbid. So, today’s film is a nice change of pace, and an acknowledgment of a time of year that so many of us enjoy. Continue reading “October Horrorshow: Trick ‘r Treat, or, Charlie Brown’s an Asshole!”
All histrionics aside, do filmmakers still make horror flicks that don’t use the found footage method? Because it feels like it’s been awhile since I’ve seen one. Is it really too much to ask that filmmakers show skill as storytellers rather than resort to gimmicks? It may be. But what happens when gimmick is combined with good storytelling? That’s just crazy talk, right? Continue reading “October Horrorshow: V/H/S”
The October Horrorshow continues here at Missile Test. The good, the bad, the unwatchable, it doesn’t matter. If there’s blood, there’s a place for it at the October Horrorshow. Today’s film is from Amicus Productions, a Hammer Films clone that made a number of portmanteau horror films in the 1960s and ’70s. Among these were the first screen adaptions of EC Comics horror staples Tales from the Crypt and Vault of Horror. Asylum, from 1972, follows in the same vein. Continue reading “October Horrorshow: Asylum (1972)”