Pitch Black

Pitch Black movie posterI’m a sucker for Alien ripoffs. Really, I am. Something about the shared stories (monsters whittling down hapless cast members) strikes something elemental in my brain. The formula for films like Alien seems so fundamentally sound to modern storytelling that I bet, had he been alive in the era of science fiction, the Bard himself would have come up with it.

Pitch Black, from the year 2000, has, since its release, ensconced itself as both a cult film and a classic entry in the sci-fi monster subgenre. I’m having a hard time recalling a film that held so little promise yet ended up being quite so watchable. I remember heading to the theater to see it thinking I was in for a real shitfest, but I was wrong. Sure, Pitch Black won’t make most critics’ top 500 lists anytime soon, but for a film with such a derivative nature, and therefore incurring such dismal prospects, it was pleasantly surprising. In a less backhanded way, if a viewer refuses to compartmentalize the flick into preconceived notions of what a good science fiction film is supposed to be, they should discover that Pitch Black is a good science fiction film. Continue reading “Pitch Black”

Total Recall (2012)

It’s no secret. Hollywood loves remakes. They love squeezing new cash out of old ideas. And why not? We’re a country that embraces the familiar. We find comfort in it. It’s this tendency of the public to seek out what it already knows that makes Applebee’s and the Olive Garden successful properties in Times Square. Who the hell would come all the way to New York City only to eat the same food they can get in Boise? Americans, that’s who. Continue reading “Total Recall (2012)”

Event Horizon

Mix one part huge spaceship, one part small cast, and one part gore, blend on high, and what do you get? Alien. Or one of the many Alien clones that have dotted sci-fi cinema for the last thirty years. Not that there’s anything wrong with that. Formulas in film that work well are often repeated ad nauseam, and while they never quite live up to the creative spirit at work in the original, they still serve to entertain, and that is the primary purpose of film. Even Alien itself is derivative of earlier films, most notably It! The Terror from Beyond Space, including many, many other sci-fi and horror films that portray a small group of people being mercilessly slaughtered one by one. But these days, where there’s outer space and buckets of blood, there is a debt of gratitude owed to Ridley Scott and his crew from 1979. Continue reading “Event Horizon”