Electric Dragon 80,000V

Electric Dragon 80,000V movie posterHere at Missile Test, we love films with brevity. Keep it tight, don’t overstay one’s welcome, and try not to have multiple points after denouement when the credits could have begun to roll. We get it. Film is art, and artists have something to say. Cutting a film can feel like lopping limbs off of their own children. But there is little worse in film than having to sit through bloat. That won’t be a problem with Electric Dragon 80,000V, from Japanese filmmaker Gakuryu Ishii. This film clocks in at a brisk fifty-five minutes, and if a viewer can’t sit still for that long, it isn’t Ishii’s fault.

Dragon is one of those Japanese sci-fi flicks from the era (it was released in 2001) that relies on frenetic pace and cyberpunk visuals to tell the story. There is a story, but it’s peripheral to the visual dance of the movie.

Tadanobu Asano plays Dragon Eye Morrison, a young man whose violent tendencies were treated with electro-shock therapy, leaving him with superhuman abilities to throw electricity around. He finds inner peace by playing wild electric guitar, and spends his free time hunting down lost lizards in the back alleys and storm drains of urban Japan. This guy is the protagonist. Continue reading “Electric Dragon 80,000V”

Future Kick

What a gloriously stupid movie. Future Kick is a textbook example of a shitty movie of the era. Everything about it is cheap, from its discount action star in Don ‘The Dragon’ Wilson, its discount Kirstie Alley in Meg Foster as the female lead, its bargain-basement special effects and sets, and its grainy film stock. There was even producer Roger Corman’s favorite method of saving money on a production: reusing footage from earlier films.

Once upon a time Corman addressed this oft-used technique. He said, and I’m paraphrasing, that back when he started reusing footage and/or sets, there was no such thing as a home video market. He was making films that would show for a week or two at a drive-in, and that was the last anyone would ever see of them. No one would remember when a few months later a different flick would appear reusing footage from the earlier film. Sure, that’s a fine excuse for his Poe films, to which he was referring, but Future Kick was released in 1991, well after the home video market became a thing. Reused footage in this film comes from a duo of space flicks, Galaxy of Terror and Forbidden World, and erotic slasher Stripped to Kill 2, which gives viewers a healthy dose of gratuitous nudity. Continue reading “Future Kick”

Nemesis (1992)

A true mark of quality in a shitty sci-fi flick from Hollywood in the 1980s and ’90s was use of the Kaiser Steel Mill in Fontana, California, as a shooting location. Just check out this list on IMDb. The more ruinous parts of the mill were a perfect location for a post-apocalyptic or dystopian landscape. Those portions have since been paved over for the Auto Club Speedway, but they live on in films like Robocop, The Running Man, and Nemesis, a 1992 cyberpunk, neo-noir action flick that, somehow, spawned a direct-to-video franchise.

Directed by Albert Pyun from a screenplay by Rebecca Charles, Nemesis stars Olivier Gruner as Alex Rain, a gritty detective in the LAPD. Continue reading “Nemesis (1992)”