Shitty Movie Sundays: Bad, Black and Beautiful

Bad, Black and Beautiful movie posterOnce upon a time, way back in the mid-1970s, some guy in Dallas, Texas, by the name of Bobby Davis, had some dollars in his pocket and a dream. That dream: to write, direct, and produce a blaxploitation flick. He roamed the lounges of Dallas, wading into a sea of nylon and leisure suits in search of the talent he would need to make his vision a reality. Days, nay, weeks, of production pass, and Davis overcomes all of the obstacles which stand in the way of auteurs the world over, and he gets his film in the can. Now, it’s official. Bobby Davis is a filmmaker, forever more. In celebration, and aware that all great artists leave the scene at their peak, he leaves his affairs in order, climbs the Reunion Tower overlooking picturesque Interstate 35E, and hurls himself into the void.

Most of that is bullshit, including Davis’s personal denouement (Reunion Tower wasn’t finished until 1978, three years after this movie’s release). But, sources on this dog of a movie are very thin. It’s known that there was a filmmaker named Bobby Davis, that he shot a film called Bad, Black and Beautiful in Dallas, and that he employed a cast and crew that, for the majority of them, had no experience before or after this film was made. If it wasn’t for the internet, this movie would exist only on crumbling VHS tapes and a handful of 35mm prints lurking in the backs of storage spaces. This is a movie that was well on its way to being lost, and it shows. Continue readingShitty Movie Sundays: Bad, Black and Beautiful”

Shitty Movie Sundays: Missionary Man

What joy for Missile Test, as today we feature another film that b-movie action hero extraordinaire Dolph Lundgren not only starred in, but also wrote (with Frank Valdez), and directed. The writing couldn’t have been too taxing, though, as Missionary Man is a contemporary retelling of Pale Rider, the 1985 Clint Eastwood western.

Lundgren stars as Ryder, a mysterious biker who has a penchant for tequila and bible verses. He rides into a small town in southern Texas (played to effect by the city of Waxahachie) in time for the funeral of JJ (never seen on screen), a Native American tribal council member who was killed by the dastardly John Reno (Matthew Tompkins). Continue readingShitty Movie Sundays: Missionary Man”

October Horrorshow: Eaten Alive (1976), or, Avant-Garde Horror à la Texas

Tobe Hooper established his bona fides, and his place in film history, with his 1974 film, The Texas Chainsaw Massacre. That film is such an icon of the genre that sequels and remakes are sometimes produced concurrently. People just can’t seem to get enough Leatherface. But, Hooper did find time to take part in other projects. Continue readingOctober Horrorshow: Eaten Alive (1976), or, Avant-Garde Horror à la Texas”