October Horrorshow: Proteus (1995)

Who doesn’t like a good Alien ripoff? Well, lots of people, I imagine. Alien ripoffs proliferate, with multiple films made every year using the tried and true methods perfected by Ridley Scott back in the late 1970s. It’s a formula that never seems to go out of style, but that doesn’t guarantee good results.

1995 saw the release of Proteus, from screenwriter John Brosnan, adapting his own novel, and director Bob Keen, who has spent most of his career in special effects. Proteus, by the way, is an old Greek god of rivers and seas. The name doesn’t offer much of a clue to the proceedings in the film, but it does fit. Continue readingOctober Horrorshow: Proteus (1995)”

October Horrorshow: Body Melt

Australia’s Body Melt, from 1993, feels like a movie designed to be a punk rock cult classic. It has the requisite absurdity, complimented by characters’ blasé acceptance of all the strangeness. It has weirdos and straights, a frenetic pace, and only a passing commitment to its plot. It’s kin to Repo Man and Street Trash — another entry chronicling the glorious downfall of western civilization.

Philip Brophy directed and wrote (with Rod Bishop, who also produced), and an ensemble cast stars as the beleaguered residents of Pebbles Court, a liminal cul-de-sac in a Melbourne suburb, and the scientists who toy with them. Continue readingOctober Horrorshow: Body Melt”

Shitty Movie Sundays: Sink Hole

Sink Hole movie posterWhat a piece of garbage. Take everything one knows about a flick from The Asylum or one of SyFy’s more meager efforts, and then scale those expectations downwards. This is a movie that exists, and little more. It has actors and actresses — vets gasping for one last breath of air before their careers go under, and young hopefuls, their dreams of stardom shattered by the cold, hard reality of a movie destined for the bargain DVD bin at gas stations and bodegas.

Sink Hole, from 2013, comes to us via writer Keith Shaw and director Scott Wheeler. Normally a visual effects tech, Wheeler, as of this writing, has eleven directing credits to his name, and his highest rated on IMDb is Attack of the Killer Donuts, at a hefty 3.8 out of 10. I probably should have skipped Sink Hole and gone directly for that flick, instead. Alas, I watched Sink Hole.

After a hot air balloon ride gone bad, EMT Joan (Gina Holden) is depressed. Her career is in shambles, her marriage to local high school principal, Gary (Jeremy London), is disintegrating, and her daughter, Paige (Brooke Mackenzie), is downright frightened for the future of her family. But that’s okay. That kind of strife is just rote character development in Sink Hole — dismissed as a necessary evil. Wheeler and company could have plugged any random drama into these characters’ backstories, and it wouldn’t have made any difference to the main plot. Continue readingShitty Movie Sundays: Sink Hole”

Shitty Movie Sundays: Triassic Hunt

Once upon a time, Roger Corman held the title of most shameless filmmaker in Hollywood. It seemed there wasn’t any low to which he would stoop in order to make a buck, often at the expense of his movies. But, there was still liveliness in his productions. Corman could make a good movie, and he had an eye for talent. The young, hungry filmmakers he had in his stable could be relied upon to repair much of the damage caused by Corman’s ruthless frugality.

The Asylum is the current champion of shamelessness. Their business model of piggybacking off of the success of better films is nothing new in Hollywood. Ripoffs are just part of the economy of film. It’s the efficiency with which they capitalize on trends that makes them unique. Their mockbusters are often released before the big studio material they are ripping off, and they have titles designed to rope in unsuspecting, or undiscerning, viewers. Continue readingShitty Movie Sundays: Triassic Hunt”

Shitty Movie Sundays: Future Kick

What a gloriously stupid movie. Future Kick is a textbook example of a shitty movie of the era. Everything about it is cheap, from its discount action star in Don ‘The Dragon’ Wilson, its discount Kirstie Alley in Meg Foster as the female lead, its bargain-basement special effects and sets, and its grainy film stock. There was even producer Roger Corman’s favorite method of saving money on a production: reusing footage from earlier films.

Once upon a time Corman addressed this oft-used technique. He said, and I’m paraphrasing, that back when he started reusing footage and/or sets, there was no such thing as a home video market. He was making films that would show for a week or two at a drive-in, and that was the last anyone would ever see of them. No one would remember when a few months later a different flick would appear reusing footage from the earlier film. Sure, that’s a fine excuse for his Poe films, to which he was referring, but Future Kick was released in 1991, well after the home video market became a thing. Reused footage in this film comes from a duo of space flicks, Galaxy of Terror and Forbidden World, and erotic slasher Stripped to Kill 2, which gives viewers a healthy dose of gratuitous nudity. Continue readingShitty Movie Sundays: Future Kick”

It Came from the Camcorder: Psycho Pike

From our friends and neighbors in the Great White North comes Psycho Pike, the 1992 SOV eco-horror/ black comedy flick featuring a mutated fish capable of decapitating unwary anglers.

Brought to life by writer and director Chris Poschun, Psycho Pike follows four college students who travel to remote Lake Shippagew somewhere in the wilds north of Toronto for a weekend getaway. They are: couple Tim and Dara (Wayne McNamara and Sarah Campbell) and couple Reg and Rhonda (Douglas Kidd and Dawn Kelly). To add some personal drama, Tim and Reg are best friends, and Rhonda used to be Tim’s steady girlfriend, breaking up with him so she could hook up with Reg. That drama isn’t necessary to the plot, but something had to fill the spaces between the killer fish doing its thing, and infidelity is as good a device as any other. Continue readingIt Came from the Camcorder: Psycho Pike”

Attack of the Franchise Sequels: Critters 4

Critters might be the first horror franchise to take its action off planet. Hellraiser took to space in 1996, Leprechaun followed a year later, and Friday the 13th sent Jason Vorhees into the black in 2001. Incredible as it seems, Critters 4 might be a groundbreaking film.

From 1992, Critters 4 was shot at the same time as Critters 3, but this isn’t a case of breaking a single film into two parts when things began to sprawl. Critters 4 was always a separate film from the third, with a different director in Rupert Harvey. Much of the production crew, including the Chiodo Brothers, remained the same. Continue readingAttack of the Franchise Sequels: Critters 4″

October Horrorshow: Brain Twisters

Brain Twisters movie posterDr. Phillip Rothman (Terry Londeree) has a problem. The electronics company backing his neurological research isn’t happy with its pace, so they’re pulling his funding. The research involves showing flashing images to people to stimulate certain areas of the brain. The idea is that the company will incorporate the fruits of this research into its videogames, to give players a mental kick while playing, or possibly to get them hooked on it. The whys of the research are less important than the fact the experiments are turning Rothman’s student test subjects into murderous lunatics.

From way back in 1991, Brain Twisters is a horror/sci-fi cheapie from writer/director Jerry Sangiuliano. Potential viewers won’t find much in his IMDb page, and that’s common for just about everyone involved in this dog. This was Londeree’s first credit, and he wasn’t in another feature film until 2004. The only member of the cast who went on to have a career is Farrah Forke, who plays Laurie Stevens, one of Rothman’s students and work-study assistants. But, just because most of the people involved in a flick are rookies, doesn’t mean it will be bad. A general lack of talent and competence is enough. Continue readingOctober Horrorshow: Brain Twisters”

October Horrorshow: The Belko Experiment, or, That Guy Battle Royale

I can’t recall seeing a film that had as many moments when I said to myself, “Oh, look. It’s that guy.” The Belko Experiment is chock full of that guys, and they all feature prominently. There’s that guy from Ghost, (Hollywood aristocrat Tony Goldwyn), that guy from Scrubs (John C. McGinley), that guy from The Killing (Brent Sexton), that guy from The Walking Dead (Michael Rooker), that guy from ER (Abraham Benrubi), budding that guy from The Newsroom (John Gallagher, Jr.), and plenty of other that guys and gals that have been featured in Hollywood films for a generation. Why has such an ensemble been assembled? To kill each other in bloody fashion. Continue readingOctober Horrorshow: The Belko Experiment, or, That Guy Battle Royale”

October Horrorshow: Dead Trigger

Dead TriggerWhat a putrid mess. Dead Trigger, from 2017 but resting on a shelf until this year, is an adaptation of a video game. It’s not the worst video game adaptation I’ve ever seen (that title belt is, and very well always could be, held by House of the Dead), but, it is a properly awful movie. It’s a good thing for the shitty movie fan that this film stars Dolph Lundgren, who has been gracing productions like this for over 30 years. The man is a shitty movie legend — the Tom Brady of bottom feeding dreck.

Directing duties were split for this flick, between Mike Cuff and Scott Windhauser. According to the internet, so it must be true, this was due to creative conflicts. If Cuff left in a huff (heh-heh) because of creative conflicts, I have to wonder why he was so emotionally invested in this flick. He had to have known when he saw his budget, his sets, and his cast, that he wasn’t making the next Anaconda. Yet he chose to abandon this project out of artistic integrity? Come on, Mike. Continue readingOctober Horrorshow: Dead Trigger”