Future Flick – Page 3

Shitty Movie Sundays: The Exterminators of the Year 3000, aka Il giustiziere della strada

I’ve seen a lot of Mad Max ripoffs. American ones, Italian ones, Filipino ones…but never one from Australia. Hmm.

This particular Mad Max ripoff is of the Italian variety, and it might be the most barebones of the bunch. It has the most desolate wasteland, the smallest cast, and the least amount of tricked out hoopties. That last note is something of a sticking point. The cars are a big draw for me when watching these movies. I want to see rust buckets with all sorts of doodads welded to them to make them look tough. Crucially, they need to have been decent muscle cars at one point in their lives. In this flick, the auto de résistance is a sixth generation Ford Thunderbird, which was the heaviest coupe Ford ever made. That thing couldn’t outrun a squirrel, and belongs nowhere near a film like this. This was the best the filmmakers could do? Anyway… Continue reading “Shitty Movie Sundays: The Exterminators of the Year 3000, aka Il giustiziere della strada”

Shitty Movie Sundays: Equalizer 2000, or, Supergun!

One Mad Max ripoff wasn’t enough for Filipino filmmaker Cirio H. Santiago. After the sublime experience that was Wheels of Fire, Santiago went back to the well in 1987 for Equalizer 2000. It’s a movie about a man, his leather pants, and a bitchin’ gun.

From a story by Frederick Bailey and Joe Mari Avellana (who played the bad guy in Wheels of Fire), Equalizer 2000 follows Max Rockatansky analogue Slade (Richard Norton). Slade is a member of the Ownership, a militia group that is looking to control all of the gravel quarries in the post-apocalypse. They’re the typical baddies of a Mad Max ripoff. They wear black, drive tricked out muscle cars, and are very into pillaging settlements full of honest folk.

This isn’t the best origin for the hero of the story, but he becomes a good guy right about the time the evil Colonel Lawton (William Steis) decides to make a play for control of the Ownership, leaving Slade out to dry during a battle with rebels, and killing Slade’s dear old dad in the process. Slade survives, and vows revenge against Lawton and the Ownership. Continue reading “Shitty Movie Sundays: Equalizer 2000, or, Supergun!”

Shitty Movie Sundays: Future Kick

What a gloriously stupid movie. Future Kick is a textbook example of a shitty movie of the era. Everything about it is cheap, from its discount action star in Don ‘The Dragon’ Wilson, its discount Kirstie Alley in Meg Foster as the female lead, its bargain-basement special effects and sets, and its grainy film stock. There was even producer Roger Corman’s favorite method of saving money on a production: reusing footage from earlier films.

Once upon a time Corman addressed this oft-used technique. He said, and I’m paraphrasing, that back when he started reusing footage and/or sets, there was no such thing as a home video market. He was making films that would show for a week or two at a drive-in, and that was the last anyone would ever see of them. No one would remember when a few months later a different flick would appear reusing footage from the earlier film. Sure, that’s a fine excuse for his Poe films, to which he was referring, but Future Kick was released in 1991, well after the home video market became a thing. Reused footage in this film comes from a duo of space flicks, Galaxy of Terror and Forbidden World, and erotic slasher Stripped to Kill 2, which gives viewers a healthy dose of gratuitous nudity. Continue reading “Shitty Movie Sundays: Future Kick”

Shitty Movie Sundays: Nemesis (1992)

A true mark of quality in a shitty sci-fi flick from Hollywood in the 1980s and ’90s was use of the Kaiser Steel Mill in Fontana, California, as a shooting location. Just check out this list on IMDb. The more ruinous parts of the mill were a perfect location for a post-apocalyptic or dystopian landscape. Those portions have since been paved over for the Auto Club Speedway, but they live on in films like Robocop, The Running Man, and Nemesis, a 1992 cyberpunk, neo-noir action flick that, somehow, spawned a direct-to-video franchise.

Directed by Albert Pyun from a screenplay by Rebecca Charles, Nemesis stars Olivier Gruner as Alex Rain, a gritty detective in the LAPD. Continue reading “Shitty Movie Sundays: Nemesis (1992)”

Shitty Movie Sundays: The Last Sentinel (2007)

Here’s some bottom of the barrel sci-fi, folks — slow-cooked to perfection and braised in poor CGI, limited locations, convoluted backstory, wooden performances, and lots of ridiculous gunfights.

From writer/director Jesse V. Johnson comes post-apocalyptic extravaganza The Last Sentinel. It’s the future! Who knows when? After crime and general nonconformity swept the United States, police officers were replaced with genetically engineered drone soldiers — living men stripped of reason and emotion, useful only as black-clad hammers in search of criminal nails. The drones eventually decided that taking over from the humans would be the best way forward, and destroyed most of human civilization. Continue reading “Shitty Movie Sundays: The Last Sentinel (2007)”

Shitty Movie Sundays: Wheels of Fire

Who doesn’t love a shitty Mad Max ripoff? Well, probably all those people out there who, for some reason or another, don’t like substandard cinema. They will never understand the joy to be had in seeing an entire cast costumed in black leather and random bits of spray painted athletic gear. They will never appreciate the sublime rumble of vehicle chases through the desert featuring junk heap muscle cars with all sorts of doodads welded to them. Maybe, just maybe, they will find the inevitable anti-hero of the films a sympathetic character, but only because it’s a conceit that was part of film long before Max Rockatansky ever peeled away in the Pursuit Special. Continue reading “Shitty Movie Sundays: Wheels of Fire”

Shitty Movie Sundays: Battle for the Lost Planet

What a gloriously stupid movie. From an objective standpoint, this is one of the worst movies I have ever seen. But, it’s one of those films that is so inept, and so self-aware, that the entire package is endearing. I spent 91 minutes of a precious Friday night with this dog, and I regret none of it.

From writer/director Brett Piper, who would carve out a fine career in b-cinema, Battle for the Lost Planet tells the tale of Harry Trent (Matt Mitler), a thief in the future who is discovered while engaging in some light corporate espionage. He makes his escape to space in a shuttle he found laying around, just in time to witness an invasion by a race of pig-faced aliens. These invaders don’t waste any time. In a low-budget special effects extravaganza they lay Earth to waste, devastating all of human civilization. Continue reading “Shitty Movie Sundays: Battle for the Lost Planet”

Shitty Movie Sundays: Cosmic Sin

Cosmic Sin movie poster Bruce Willis is having an interesting stretch in this, the latter part of his career. It’s also a familiar one. Like many stars of the past, he is either unwilling, or unable, to take on parts in big budget Hollywood flicks or prestige films. Rather, he has spent the last half-decade or so in b-movie schlock. Sure, he turned up in Glass, and Eli Roth’s underrated remake of Death Wish, but this is overshadowed by his roles in films like Hard Kill, Breach, and today’s subject, Cosmic Sin.

The thing I find most amusing about this turn is that Willis always seems to play the same character in every film — a roguish antihero who joins the cause reluctantly. Watching the first act of these films, one can imagine that it mirrors the process that filmmakers had to go through to convince Willis to be in their movies.

For instance, in Cosmic Sin, Willis plays James Ford, a former army colonel who left the service in disgrace, but now he’s needed to save the day. There is the familiar scene early on where a supporting cast member has to make their pitch, and Willis, looking as if he would rather be anywhere else but in this movie, responds with a terse, “No.” This is the part of the process before any money has been mentioned. It goes on: Continue reading “Shitty Movie Sundays: Cosmic Sin”

Shitty Movie Sundays: Assignment: Outer Space, aka Space Men

Assignment: Outer Space, the 1960 sci-fi flick from director Antonio Margheriti, is a textbook example of why cheap practical effects are better than bad CGI. I’m no Luddite. CGI will continue to improve and become more affordable right up to the point AI takes over film production and just thinks shit up on the spot. I’m thinking more of the bargain basement CGI of this still-young century versus what Margheriti’s crew was able to accomplish sixty years ago. Both are unconvincing, but cheap model work has a charm that bad CGI does not — almost an innocence. That’s illusory, of course. Cheap effects are all about saving cash, no matter which method is used. Yet, there’s something slimy about bad CGI, as if it’s more an enabler of poor filmmaking rather than a result of tight budgets. Continue reading “Shitty Movie Sundays: Assignment: Outer Space, aka Space Men”

Shitty Movie Sundays: The Demolitionist

When I set out on this crusade to raise awareness of the merits of shitty movies, I never expected to write about two films in a row featuring Richard Grieco, but here we are. He’s not the star of today’s film. Rather, he is the most electric member of the cast. So sorry, Nicole Eggert.

From 1995 comes The Demolitionist, the directorial debut from longtime special effects makeup artist Robert Kurtzman. It’s a Robocop ripoff. There’s not much more to it than that. It is also an ambitious flick, with a decent title, some outrageous performances, and a hot lead who tries her best. Continue reading “Shitty Movie Sundays: The Demolitionist”