The Empty Balcony: Three Kings

There haven’t been that many films made about the Persian Gulf War. A quick search in the tubes only turned up a handful. A quick, forgetful war (from the American perspective, anyway), there would have been no real lasting impact on American society wrought by the conflict had it not been for our recent misadventures in the desert. We tore a bloody swath through Kuwait and Iraq for one hundred hours in 1991, and came home intact and victorious. We seemed to dictate everything that happened on the ground and in the air. The war was fought on our terms completely. Mistakes were few, casualties were few, while damage inflicted on the enemy was severe. We decided when it began, and we decided when it was over. For us, it was the perfect war. Our only problem was we failed to recognize that the enemies of the future could learn lessons from it. Continue readingThe Empty Balcony: Three Kings”

The Empty Balcony: The Train

One day into filming of 1964’s The Train, director Arthur Penn was fired at the urging of star Burt Lancaster and replaced with John Frankenheimer. Penn had apparently conceived the film as largely a cerebral examination of the effect and importance of art to the French national consciousness during the Nazi occupation. A not unworthy aspiration, and one that could someday make a fine film. In hiring Frankenheimer, who had such films as Seven Days in May and The Manchurian Candidate under his belt, the decision was made that the plot of The Train should be driven by tension and action. Continue readingThe Empty Balcony: The Train”