October Horrorshow: Anaconda

What a gloriously stupid movie. It makes me happy to write that sentence again; something I have not done since way back in May. But, this flick deserves it. If I had not already named another film the official film of this year’s Horrorshow (revealed at a later date), then Anaconda would have won the distinction running away. Anaconda is a fantastic example of the heights to which a shitty movie can soar. It features a soon to be breakout superstar, a fading has-been whose Oscar is gathering substantial amounts of dust, and a rapper in the midst of crossing over into movie stardom. It hails from a time when CGI was in its infancy, yet relies on these effects too much. It’s self-aware and amateurish at the same time. It’s a piece of shit, and I love it. Continue readingOctober Horrorshow: Anaconda”

October Horrorshow: Ringu & The Ring

RinguIt’s the October Horrorshow! It’s no secret that I hate autumn. It’s a shit time to be alive here in the northern latitudes, where the air takes on a chill, the days become noticeably shorter, and every plant from here to Seattle looks like it’s dying. Thank goodness, then, for Halloween. The festival of death is a yearly finger in the eye to the fall season, when we, and by that, I mean me, watch lots and lots of horror flicks. I choose to embrace nature’s inexorable slide into hibernation by watching fake snuff films, paradoxical as that is, and I love every minute of it. Like last year, there’s a full slate of reviews this year. No gaps. And the first is a double billing.

Ringu is the king of J-Horror. It’s not an undisputed title, but, as of this October Horrorshow, Ringu ranks as the highest-grossing horror film in Japanese history. That’s a fairly good argument in the film’s favor.

From 1998, Ringu is an adaptation of a novel of the same name by Koji Suzuki. The film was directed by Hideo Nakata. Continue readingOctober Horrorshow: Ringu & The Ring”

Schwarzenegger Month: End of Days

I blame David Fincher, Andrew Kevin Walker, and Arthur Max for End of Days. Had those three not done such stellar work on the movie Seven, Fincher directing, Walker writing, and Max doing the production design, there would not have been a flood of pale imitations that hit the market. End of Days is not about a serial killer, but it has a drained, desolate look and feel that just didn’t exist in film before Seven. And the thing is, this movie is a bit of a laugher, but it looks so bleak that at times I felt like I was laughing at a funeral. Continue readingSchwarzenegger Month: End of Days”

October Horrorshow: Halloween 5

What a putrid mess. Halloween 5 is a shameless cash grab. (The full title is Halloween 5: The Revenge of Michael Myers, but that full title seems only to exist on posters and other promotional material. The title card of the actual movie has no subtitle.) Halloween 4 was a cheap b-movie that sought to bring a recognizable brand to heel after the failure that was Halloween III. And it worked. Audiences didn’t like the fact that Michael Myers wasn’t the villain in the third flick, and producer Moustapha Akkad took notice. He brought back the slasher icon for the fourth installment, and saw a tidy return on investment, so it was inevitable that there would be a fifth. Of course, since abject cheapness didn’t hurt the bottom line with Halloween 4, there was no incentive to produce a quality product with Halloween 5.
Continue readingOctober Horrorshow: Halloween 5″

October Horrorshow: The Changeling

The Changeling movie posterJohn Russell (George C. Scott) just had the worst day of his life. While on a winter vacation in upstate New York, he watched his wife and child get run down in the street by an out of control dump truck. A few months go by, and John, a composer of classical music, decides it is time to begin his life again, and takes a job teaching at his alma mater. The new job is across the country in Seattle, and John needs to find a new place to live. At the suggestion of a friend, John locates a house through the local historical society. It’s quite the place. Victorian, high ceilings — it even has a music room. Any house or apartment with a music room resides firmly in the 1%.

The house had been unoccupied ever since it was willed to the historical society, and for good reason. The place is haunted. In fact, John would never have been able to secure a lease were it not for Claire (Trish Van Devere), the member of the society that showed John the house. She’s relatively new to her job, and thus didn’t know about the issues with the house. Also, she’s smitten with the gruff old composer with the surprisingly soft smile and history of personal tragedy. Continue readingOctober Horrorshow: The Changeling”

October Horrorshow: Shutter (2004)

Shutter was a new experience for me. As far as I can remember, I’ve never seen a movie from Thailand before. If there were a line in Vegas on whether or not the first Thai movie I chose to watch would be horror or shitty, what would that line be? Or would that be a sucker bet? It is October, after all. The month of blood and death. Of course I’m watching horror. So the only question is, is it shitty horror? Continue readingOctober Horrorshow: Shutter (2004)”

October Horrorshow: Tremors

I’ve written about this before, but my old man had an affinity for bad cinema. Especially the sci-fi variety. It didn’t matter what it was or how bad it was. If it had something to do with space or monsters, he had a hard time looking away. Good sci-fi got the wheels turning, while bad sci-fi brought out his guttural chuckling and whooping. If it was too bad to be funny, then came groans and profanity. Hmm...kind of like me. Continue readingOctober Horrorshow: Tremors”

October Horrorshow: Pontypool, or, Sydney Briar…is Alive

I’ve seen plenty of bottle episodes in television, but not a lot of bottle movies. Enter Pontypool, a horror film out of Canada from 2008. In this movie, some type of outbreak is ravaging the town of Pontypool, Ontario in the middle of a raging snowstorm. The infected are murderous, making them zombie-like. They shuffle around and infect others, but they’re not after a meal, making these poor people more new-wave infected not-zombies than the traditional Romero undead. Anyway, that is what is going on in the town of Pontypool, but a viewer sees barely any of this, as the movie takes place almost entirely within the confines of a darkened radio studio. Continue readingOctober Horrorshow: Pontypool, or, Sydney Briar...is Alive”