A movie like this has been a long time coming. After two decades of CGI, most of it subpar, dominating effects in horror flicks, The Void comes along and shows that latex, and other dangerously flammable stuff, still has a place in horror. Continue reading “October Horrorshow: The Void”
Tag: Monster Flick
October Hammershow: The Abominable Snowman
The Abominable Snowman, director Val Guest’s film from 1957, has sort of fallen through the cracks. Well, most Hammer films have fallen through the cracks in one way or another, but this flick is the most obscure of those I have seen so far this month. Hammer has a legendary reputation when it comes to their horror. Much of the films aren’t great, but Hammer was persistent and fertile, never going more than a few months before bringing audiences something new. But their catalogue has been mistreated, much of it only available on out of print, and thus hard to find, DVDs and VHS tapes. The big flicks are available in places like Prime and iTunes, but if one wishes to watch something like The Abominable Snowman without searching for physical media, the options, and quality, are very limited. Continue reading “October Hammershow: The Abominable Snowman”
October Hammershow: The Mummy’s Shroud
Hammer must have been out of ideas by the time they made The Mummy’s Shroud in 1967. At least, that’s what it feels like. There is not a single moment of tension or surprise in writer/director John Gillings’ film. But that isn’t to say The Mummy’s Shroud is a bad film. It’s not. It’s cheap and fairly stupid, and it doesn’t bother to challenge any of the tropes audiences had come to expect with a mummy film, but it has its charms. Continue reading “October Hammershow: The Mummy’s Shroud”
October Hammershow: The Evil of Frankenstein
Hammer had a good thing going with its Frankenstein films. Because Universal Pictures were being stingy with their trademarks, Hammer had been forced to deviate from Universal’s Frankenstein flicks in setting and characterizations. This freed Hammer’s creative teams to come up with some pretty imaginative stuff, and also allowed the films’ star, Peter Cushing, to make the character of Victor Frankenstein his own. But, Hammer and Universal ironed out their differences in the form of a distribution deal, and Hammer wasted no time bringing their Frankenstein into line with Universal’s. That’s too bad. Continue reading “October Hammershow: The Evil of Frankenstein”
October Hammershow: The Revenge of Frankenstein
The last we saw the Baron Frankenstein, at the end of The Curse of Frankenstein, he was being led to the guillotine. Believing that he was innocent of any crime, he was meeting death with hate in his heart. But as fate, and economics, would have it, Frankenstein was saved at the last moment by Hammer Film Productions, who knew a hit when they saw one. Continue reading “October Hammershow: The Revenge of Frankenstein”
October Hammershow: X the Unknown
Jimmy Sangster pens another winner. From the early days of Hammer Film Productions’ horror transition, X the Unknown is boilerplate 1950s monster fare. Like all creative endeavors, however, it doesn’t have to be groundbreaking if it’s done well. Continue reading “October Hammershow: X the Unknown”
October Hammershow: The Curse of Frankenstein
Hunt around on the internet, and one will find countless lists that rank Hammer horror films. From James Rolfe to random users on reddit, the consensus pick for best Hammer horror film is today’s film, The Curse of Frankenstein. All the elements that make it the quintessential Hammer flick are there. It was written by Jimmy Sangster, directed by Terence Fisher, and stars Peter Cushing and Christopher Lee. Hammer horror doesn’t get more ‘Hammery’ than that. Continue reading “October Hammershow: The Curse of Frankenstein”
October Hammershow: The Quatermass Xperiment, aka The Creeping Unknown
The Curse of Frankenstein may have been the first huge payoff for Hammer Film Productions after they made the transition to horror, but it was The Quatermass Xperiment (released in the United States as The Creeping Unknown) that started the company down the path to becoming a legend in the horror genre. Continue reading “October Hammershow: The Quatermass Xperiment, aka The Creeping Unknown”
October Hammershow: The Mummy (1959)
Autumn is a time of cooler weather and football games, of trees transitioning into their winter hibernation, and rivers of blood flowing on screens all over the country. For this is October, a time when horror fans the world over celebrate the coming of Halloween. It is also time for the October Horrorshow. I’ve been doing this since 2009, making this the ninth year in a row the site has been dedicated to a month of horror film reviews. But in all that time, having reviewed over 200 horror flicks, I’ve never reviewed a movie from Hammer Film Productions. How in the world did that happen? In fact, I haven’t seen all that many Hammer films at all, much less for the Horrorshow. This month I’m going to fill in this unconscionable void in my horror film experience. I’m expecting it to be a worthwhile adventure. So, this year, welcome to the October Hammershow. Every day will feature a review of a Hammer film, plus some random horror flicks from other production companies scattered throughout. Continue reading “October Hammershow: The Mummy (1959)”
Shitty Movie Sundays: The Last Shark, aka Great White, aka L’ultimo squalo
Oh, Enzo G. Castellari, I’m so glad I found you. Shitty Movie Sundays has been further enlightened by your presence. Master of schlock, minister of exploitation, employer of flamethrowers, you can be counted among the progenitors of the mockbuster, those sad, cash grab excuses for films. It seems your only purpose as a filmmaker was to piggyback on the accomplishments of others, and prey upon an audience that didn’t realize what your producers were selling. Who would have thought that so many decades after your heyday, there would be people like me seeking out your films — not only to mock and deride, but to enjoy? Continue reading “Shitty Movie Sundays: The Last Shark, aka Great White, aka L’ultimo squalo”