Shitty Gold – Page 7 – Missile Test

October Horrorshow: The Keep

What a weird fucking movie. I’m glad I watched it.

The Keep, from 1983, was Michael Mann’s second directorial effort, coming two years after Thief. The film tells the story of a unit of German soldiers who occupy a remote castle keep in Romania during World War II. But, this is no normal keep. The walls are inset throughout with over two hundred crosses made of nickel. The battlements appear designed not to keep an invading army outside of the walls, but rather to keep something in. There’s even a creepy caretaker on site to make sure that anyone who crosses the threshold knows the story of all those before who tried to spend a single night in THE KEEP. Spooky. Continue reading “October Horrorshow: The Keep”

October Horrorshow: Anaconda

What a gloriously stupid movie. It makes me happy to write that sentence again; something I have not done since way back in May. But, this flick deserves it. If I had not already named another film the official film of this year’s Horrorshow (revealed at a later date), then Anaconda would have won the distinction running away. Anaconda is a fantastic example of the heights to which a shitty movie can soar. It features a soon to be breakout superstar, a fading has-been whose Oscar is gathering substantial amounts of dust, and a rapper in the midst of crossing over into movie stardom. It hails from a time when CGI was in its infancy, yet relies on these effects too much. It’s self-aware and amateurish at the same time. It’s a piece of shit, and I love it. Continue reading “October Horrorshow: Anaconda”

Schwarzenegger Month: Batman & Robin

Ah, Batman & Robin, the movie that killed the Batman film franchise. I get it. After the Batman comic books took on a darker tone in the late ’80s, it was only natural that the new films that began with Tim Burton’s Batman would become more serious and less campy. Batman, his character and his fictional world, had changed. I also get what the director of this film, Joel Schumacher, was trying to do. He understood the character of Batman from a different era. When he chose to craft a Batman movie he chose to do so in the form of a costume ball. Bright colors, festive music, outrageous outfits — its participants are all out for a wonderful night on the town, and all seem to be in on the joke. This was the Batman from the comics, just not the right Batman comics. Continue reading “Schwarzenegger Month: Batman & Robin”

Schwarzenegger Month: Commando

What a gloriously stupid movie. When I think about 1980s action, all sorts of flicks bang off the inside of my skull. Cobra, Road House, Die Hard, any of the Rambo flicks, et cetera, et cetera, et cetera. It was an amazing genre of film that Hollywood has never been able to fully replicate. That’s not for lack of trying. Last year there were two movies about terrorists taking over the White House, and both could have been Die Hard flicks, circa 1989. Something happened to moviegoing audiences since the ’80s, though. I’m not going to pretend for a second that we’re any more sophisticated as a group, but maybe we grew accustomed to the shenanigans of ’80s action, and that’s why it doesn’t work as well today. But if a viewer happens to be in a nostalgic mood for black and white characters, senseless one-liners, and guns that never run out of bullets, then there is hardly a better movie than Commando. Continue reading “Schwarzenegger Month: Commando”

Schwarzenegger Month: Hercules in New York

Hercules in New York movie poster For no reason other than that I feel like it, I hereby declare this to be Arnold Schwarzenegger month at Missile Test. His Arnoldness has 54 acting credits to his name on IMDb. I’m going to watch a whole boatload of them and write some reviews. I’m looking forward to hours upon hours of explosions, gunfights, and rough accents. The first flick has only one of those, but it depends on which print a viewer manages to see.

Hercules in New York marks the debut performance of Arnold Schwarzenegger. What a gloriously stupid movie. Having watched it, it’s amazing this man became one of the most famous actors of all time. Sure, everyone has humble origins, but I can’t think of a star’s early work being quite this humble. George Clooney had a role in Return of the Killer Tomatoes. Matthew McConaughey was once in a shitty Texas Chainsaw flick. Paul Rudd was in an awful Halloween movie. Hilary Swank, she of the double Oscar, was once kicking ass with Pat Morita as The Next Karate Kid. But one thing these three all had in common was that there was budding talent on display in their bad movies. This movie, in no way, makes it seem that Arnold is a decade or so from making a run as a big time movie star. Continue reading “Schwarzenegger Month: Hercules in New York”

Shitty Movie Sundays: White House Down

Thank goodness for Roland Emmerich. If it weren’t for filmmakers like him, we’d all be stuck watching Terrence Malick and David Lynch films. Please, don’t misunderstand me. I’m not picking on Malick and Lynch for no reason. They’re great filmmakers, as are too many others to mention. But when I thought of great filmmakers whose work is a real slog to get through, those two names popped into my head. You lucked out this time, Werner Herzog.

My point is, there is film as art, and film as escapist adventure. Roland Emmerich resides fully in the latter, his main concern being spectacle. Because of that, his movies require no effort whatsoever to enjoy. And I do mean they require no effort. If a viewer puts effort into his movies, by doing something silly like figuring out how to resolve plot holes, or think through character development that Emmerich couldn’t be bothered with, then enjoyment will not be had during a Roland Emmerich feature film. He embraces in full the ethos behind the big-budget shitty movie (different from the low-budget variety, but still related). His box office numbers prove that most of humanity seems to, as well. Continue reading “Shitty Movie Sundays: White House Down”

October Horrorshow: Critters, or, Power of the Night!

I don’t think I’ve seen this movie since the late 1980s. That’s almost thirty years of depriving myself of big hair, a pack of unstoppable, ravenous fur balls that are more teeth than animal, and Power of the Night, the number one single by Johnny Steele. Oh yeah, this was the decade I grew up in, with all its foibles, bad fashion, and shit music. This was the decade that put Eric Clapton in pastels and convinced teenagers everywhere that synthesizers were an acceptable accouterment to rock music. And my God, Reagan was in the White House. No, no, no. If it weren’t for the amazing run of substandard cinema throughout the decade, I would want to have the entire time wiped clean from my memory. Continue reading “October Horrorshow: Critters, or, Power of the Night!”

October Horrorshow: Deep Blue Sea

There are some serious contenders on the short list of Official Movie of Shitty Movie Sundays. Alien: Resurrection holds the crown by default, but challengers include stalwart paragons of shittiness such as Spacehunter: Adventures in the Forbidden Zone, and Reign of Fire. Both of those films differ from Alien: Resurrection in one important aspect: they are fun. Alien: Resurrection is an overwrought chore of a film. It has none of the loose bravura of Spacehunter or the hilariously over the top seriousness of Reign of Fire. Why then, does Alien: Resurrection continue to hold the crown? Because it was first. Someday I’ll tire of using Alien: Resurrection as my prototype. For now, long live the king. Continue reading “October Horrorshow: Deep Blue Sea”

October Horrorshow: Graveyard Shift

Here are a few indications that the movie a person is about to watch isn’t any good. One, I reviewed it (heyooooo!!). Two, the Wikipedia page for the movie barely breaks 300 words. Three, there is one item in the trivia section of the movie’s IMDb page. Four, I didn’t bother to use anything other than Wikipedia and IMDb when I researched said movie. Continue reading “October Horrorshow: Graveyard Shift”

Shitty Movie Sundays: Orca

There are plenty of people to blame for this shitty movie. There’s director Michael Anderson, producers Dino De Laurentiis and Luciano Vincenzoni; maybe even star Richard Harris. While their culpability would hold up in a court of law, the person I hold the most accountable is Steven Spielberg. If he had not ushered in the era of the blockbuster with Jaws, there is no way in hell anyone, anywhere, at any time in cinematic history, would have made Orca. Well, maybe the guys over at Asylum would have...but not in 1977. Continue reading “Shitty Movie Sundays: Orca”