Tag: Slasher Flick

Hatchet II

Hatchet III judge sequels and remakes a bit more harshly than other films. I cannot help but compare further entries in film series to their predecessors. It would be ideal if I could judge something like Aliens or Jaws 2 on their own merits, but I find that impossible if I have seen the earlier film. The associations in my brain are just too strong to ignore. That’s not a problem today. I have not seen Hatchet, the first of writer/director Adam Green’s ongoing story of murderous freak Victor Crowley, but I did just watch Hatchet II, and now I think it is time...

Ahem!

Ladies and gentlemen, my Loyal Seven readers, I present to you Hatchet II, the official film of the 2014 Missile Test October Horrorshow. This flick represents just about everything I love in a slasher flick. There’s loads of gore and buckets of fake blood; all the killing is done in the woods; in Danielle Harris, it stars a legitimate scream queen; and it looked like it had a budget of about a nickel and a half. Oh, and best of all? It’s 85 minutes long. We love reasonable run times here at Missile Test. There’s nothing more interminable in a film than bloated length, so when I catch a movie that doesn’t hold me prisoner past the start of the eleven o’clock news, I’m thrilled. Continue reading “Hatchet II”

Hello Mary Lou: Prom Night II

This movie may have a hell of a title, but a title like Hello Mary Lou: Prom Night II also betrays itself as 1980s schlock horror before a viewer sees a single frame. But, so what? The ’80s were a second golden age for horror, when it seemed every week brought something either new or outrageous. Prom Night II, from 1987, is a sequel to the Jamie Lee Curtis flick from 1980, but it owes allegiance in title only. None of the characters from the original appear, and this movie takes place at an entirely different high school. Continue reading “Hello Mary Lou: Prom Night II”

Terror Train

For about four years in the late 70s and early 80s, Jamie Lee Curtis had a hell of a run as a scream queen. During that time, she starred in four slasher flicks, and was part of an ensemble cast in another. Audiences in those days must have grown familiar with her piercing, oddly resonant, terrified wail. Whether she was fleeing a maniac in a William Shatner mask, evading the vengeful spirits of dead lepers, or, in today’s film, fighting off a costumed murderer aboard a moving train, her howling gusts are an integral part of the soundtrack. She was perfect for the roles she played. Always playing the survivor, she had youth, attractiveness, and innocence touched with enough sexuality to make her someone all the males in the audience would want to save. Only, she didn’t need it. For a time, there, she seemed to be the hardest person in Hollywood to kill. It’s a living, I guess. Continue reading “Terror Train”

Friday the 13th Part VII: The New Blood

Way back during the first Horrorshow I posted reviews for the first four movies in the Friday the 13th franchise, plus a review for Freddy vs. Jason. I had planned to do a review of the fifth Friday the 13th film, as well, but it was so awful I tuned out for most of the time I was watching. I can’t write about a movie I didn’t pay attention to. This franchise is iconic in the horror genre, but the truth is, these movies suck. Writing about them means I have to watch them, and I didn’t think I could do that anymore, until last night. I should have stayed away. Continue reading “Friday the 13th Part VII: The New Blood”

You’re Next

Right now, here in New York City, the sky is overcast and the air is a crisp 60 degrees (that’s 16 degrees for you Loyal Seven from points far and wide). It’s a typical fall day, and that sucks. On days like this, I worry the sun won’t make another appearance until it’s too cold out for clouds to form. But, I shouldn’t worry, because it’s October, and that means it’s time for the Sixth Annual October Horrorshow here on Missile Test, where I watch and review horror films for an entire month. The good, the bad, the putrid...it doesn’t matter, so long as there’s blood. Today’s film has buckets of the stuff. Continue reading “You’re Next”

Halloween 5

What a putrid mess. Halloween 5 is a shameless cash grab. (The full title is Halloween 5: The Revenge of Michael Myers, but that full title seems only to exist on posters and other promotional material. The title card of the actual movie has no subtitle.) Halloween 4 was a cheap b-movie that sought to bring a recognizable brand to heel after the failure that was Halloween III. And it worked. Audiences didn’t like the fact that Michael Myers wasn’t the villain in the third flick, and producer Moustapha Akkad took notice. He brought back the slasher icon for the fourth installment, and saw a tidy return on investment, so it was inevitable that there would be a fifth. Of course, since abject cheapness didn’t hurt the bottom line with Halloween 4, there was no incentive to produce a quality product with Halloween 5.
Continue reading “Halloween 5”

My Bloody Valentine

The town of Valentine Bluffs, Nova Scotia, has a problem. Despite being deep in the heart of Canada, only two people in the entire town seem to have wicked accents. Apparently, the native population has been replaced by a bunch of pod people from the Toronto area, or even possibly the States. The local sheriff is doing nothing. They may have already gotten to him! Continue reading “My Bloody Valentine”

V/H/S

Oh, no! Found footage?! Why?! Whyyyyyyyyy??!!!!!

All histrionics aside, do filmmakers still make horror flicks that don’t use the found footage method? Because it feels like it’s been awhile since I’ve seen one. Is it really too much to ask that filmmakers show skill as storytellers rather than resort to gimmicks? It may be. But what happens when gimmick is combined with good storytelling? That’s just crazy talk, right? Continue reading “V/H/S”

Halloween 4: The Return of Michael Myers

Halloween III was a big bust. A successful horror franchise ditched its most marketable characters because series creators John Carpenter and Debra Hill were tired of the idea. I suppose it was a laudable decision from a creative standpoint, but if you’re going to ditch Michael Myers and Laurie Strode, perhaps the greatest on screen villain/scream queen pairing in Hollywood history, it’s probably a bad idea to name your new film like it’s a sequel. Carpenter and Hill learned the hard way that the Halloween brand was in its characters, not its name. Halloween III is not a bad movie. It’s just not a Halloween film. Continue reading “Halloween 4: The Return of Michael Myers”