Tag: Thriller Flick

You’re Next

Right now, here in New York City, the sky is overcast and the air is a crisp 60 degrees (that’s 16 degrees for you Loyal Seven from points far and wide). It’s a typical fall day, and that sucks. On days like this, I worry the sun won’t make another appearance until it’s too cold out for clouds to form. But, I shouldn’t worry, because it’s October, and that means it’s time for the Sixth Annual October Horrorshow here on Missile Test, where I watch and review horror films for an entire month. The good, the bad, the putrid...it doesn’t matter, so long as there’s blood. Today’s film has buckets of the stuff. Continue reading “You’re Next”

Collateral Damage

This is one dark film. Which may explain why it failed at the box office. In Collateral Damage, Arnold Schwarzenegger stars as Gordy Brewer, a Los Angeles firefighter who loses his wife and son in a terrorist attack. Firefighter, terrorism, innocent victims. Considering this movie was released in February of 2002, only weeks after ground zero in Manhattan stopped smoking, there is a strong possibility the film’s subject matter kept people away. Not only was terrorism a touchy subject back then, the 9/11 attacks were not completely over yet. Not as long as they were still clearing debris. That’s some bad timing. But it could have been worse. The original release date for this film was less than a month after the attacks. I wish I could say I was sympathetic to the plight of the filmmakers and everyone else involved in this project, but tough shit. A film flailing at the box office was the least of the country’s concerns back then. Continue reading “Collateral Damage”

End of Days

I blame David Fincher, Andrew Kevin Walker, and Arthur Max for End of Days. Had those three not done such stellar work on the movie Seven, Fincher directing, Walker writing, and Max doing the production design, there would not have been a flood of pale imitations that hit the market. End of Days is not about a serial killer, but it has a drained, desolate look and feel that just didn’t exist in film before Seven. And the thing is, this movie is a bit of a laugher, but it looks so bleak that at times I felt like I was laughing at a funeral. Continue reading “End of Days”

Eraser

Here I am, just a day after publishing a review where I excoriate the film industry for producing anonymous gobbledygook, and the next film in Arnold Schwarzenegger month is more anonymous gobbledygook, action-style. But what makes Eraser such a bland, unoriginal action story as compared to, say, something like Commando? How does Eraser have any less value compared to that film? I think it has everything to do with panache. Commando revels in its cheapness, but it was also designed to be excessive. Its rough edges give it character. Whereas a film like Eraser, which has been polished to within an inch of its life, lacks character in comparison. Continue reading “Eraser”

True Lies

A quick sampling of the directorial career of James Cameron is in order. In 1991, Terminator 2: Judgment Day was released. It was the most expensive film ever made at that time. In 1994, True Lies was released. It was the most expensive film ever made at that time. In 1997, Titanic was released. It was the most expensive film ever made at that time. Two other films he directed, The Abyss and Avatar, were both wildly expensive, massive productions for their times. I’m sensing a pattern here. Put simply, James Cameron spares no expense. Continue reading “True Lies”

Total Recall

Arnold Schwarzenegger wasn’t in any movie released in the year following Twins. I would like to think that he had receded into isolation, that he took the time for some introspection, some reflection on just what it meant to be an action star in the 1980s. Explosions. Big guns. Massive body counts. He was a master of everything that made action flicks great, and just about all of it was discarded in Twins. I hope he found new purpose, a new center, in his life. But very probably, he was enjoying the new house all that Twins money bought him. Seriously, that movie was a smash hit. And so was his next film, Total Recall, which was released in 1990. Continue reading “Total Recall”

Red Heat

Most anyone who became aware of both self and American culture after the 1980s has heard of Arnold Schwarzenegger. They’ve probably seen at least one of his films, or maybe heard that he ran California and had terrible taste in SUVs. That’s not all these people would have in common. They would also all be collectively unaware that, once upon a time, Jim Belushi was famous. That’s right, Millennials and those from the generation-yet-to-be-adequately-named, once upon a time there was a mediocre actor and comedian who punched well above his weight, starring in such films as The Principal, Real Men, K-9, and Red Heat, all of which made money. Continue reading “Red Heat”

The Running Man

My Loyal Seven readers know that Missile Test is a big fan of John Carpenter. In fact, he’s the unofficial official director of both the Empty Balcony and Shitty Movie Sundays. He didn’t direct The Running Man, the Arnold Schwarzenegger vehicle from 1987, but he should have. In style, flavor, pacing, look, feel, music, inherent mistrust of authority, and its very ’80s-ness, I have never seen a film so Carpenteresque without being directed by the man himself. It’s uncanny. But, this month is not about John Carpenter. It’s about His Arnoldness. Continue reading “The Running Man”

The Terminator

Is The Terminator the best movie Arnold Schwarzenegger has ever been in? There’s a strong possibility that it is. Some viewers have an affinity for Terminator 2, others for Conan the Barbarian. As for me, I voted with my eyes a long time ago. Of all the films Arnold has made, The Terminator is the one I’ve watched the most. It is impossible for me to recall just how many times I’ve seen it, but I would not be surprised if it’s somewhere in the 20s, maybe even the 30s. So, pardon me while I gush. Continue reading “The Terminator”