A lot of filmmakers in the late 1970s wanted to get some of that sweet, sweet Star Wars money. That resulted in shitty cinema being overrun with Star Wars ripoffs — some much better than others. At the bottom of the scale is something like Cosmos: War of the Planets, while today’s film, The Shape of Things to Come, is about as compelling a ripoff as shitty cinema managed to produce.
From 1979, The Shape of Things to Come is a loose adaptation of the H.G. Wells novel of the same name. It’s the future. After Earth was devasted by The Robot Wars, mankind settled on the moon and elsewhere. A drug called Radic-Q2 is vital to humanity’s continued survival, but the supply comes from a single planet called Delta 3. After a cargo ship from Delta 3 crashes into the capital city on the moon, New Washington, it is revealed that Delta 3, and all Radic-Q2 production, has been seized by the evil Omus (Jack Palance). We know that Omus is evil, not just because he was responsible for slamming a spaceship into a populated city, or that afterwards he holds an entire civilization hostage, but because he wears a cape. Everyone in this movie wears super-shiny futuristic space clothes, but only Omus accessorizes with a cape. It’s purple, too. Continue reading “Shitty Movie Sundays: The Shape of Things to Come”

I knew nothing about this film when I began watching it. I found it on a YouTube channel that collects old grindhouse and drive-in movies that have fallen into the public domain. That copy was crap, but being in the public domain meant that the film could be found elsewhere. Amazon Prime has a much better quality copy, so should one actually want to seek out and watch this turd, I recommend doing so on Amazon.
American International Pictures is mostly associated with 1950’s and ’60s b-movie fare, most notably the works of Roger Corman. But the ’70s were no less of a productive decade for AIP than were the ’50s and ’60s. In that mustard yellow decade of Nixon, Ford, and Carter, AIP produced or distributed many of the notable films in the blaxploitation genre, while keeping to its horror and regular exploitation roots with such titles as