Shitty Movie Sundays: Black Water

Black Water movie posterFrom Amazon’s page on Black Water: A deep-cover operative (Van Damme) imprisoned on a CIA submarine teams with a fellow prisoner (Lundgren) for an electrifying fight to escape in this action-powered thriller.

Jean-Claude Van Damme! Dolph Lundgren! Secret Agents! On a Submarine! Whoever wrote this blurb must be a shitty movie fan. No one but one of us could tap so deeply into the shitty movie fan’s root desires in so few words. And if they’re not fan — if they’re just churning out copy for a meager wage and nothing else — then might I suggest a raise? This scribbler has talent!

Black Water, the 2018 shitty action flick from director Pasha Patriki and screenwriter Chad Law, does indeed feature a prison aboard a submarine. It’s a silly premise. We all know, to our deep and everlasting shame, that the United States operates secret black sites where it holds prisoners outside of the legal system. These sites tend to be in countries willing to look the other way on torture, or even provide such services.

In this movie’s fictional universe, the CIA got ahold of a decommissioned submarine, hollowed out some of the compartments, and is using that as a mobile and undetectable black site. Once a person goes in, they never come out. Continue readingShitty Movie Sundays: Black Water”

Stallone Month: The Expendables 3

90 million bucks. That’s how much it costs to make a shitshow of a movie. A bad film can be made for far less than that, of course, but an unofficial motto of The Expendables films has been ‘go big or go home.’ Those 90 million dollars are about all that’s big about this film, though. Sure, The Expendables 3 looks like a big Hollywood action flick, but pay close attention and one will realize that just about everything in this movie is ersatz — an imitation. Continue readingStallone Month: The Expendables 3″

Stallone Month: The Expendables 2

I’m not sure that Sylvester Stallone, or anyone else involved with The Expendables, thought that film would spawn a franchise. In many ways, The Expendables felt like a lark — a one-time moment that tapped into a well of nostalgia for 1980s-style action in the moviegoing public. It sold itself on its cast and its cameos, then followed that up with an uneven, but very exciting, film. It made a pile of cash, so of course there were going to be another one made. Continue readingStallone Month: The Expendables 2″

Stallone Month: The Expendables

Despite being a big star, Sylvester Stallone has always seemed to struggle with relevancy. The 2000s had a pair of ‘comeback’ films for Sly, with Rocky Balboa in 2006 and Rambo in 2008. It seemed like every success he had was forgotten. Perhaps that’s because these two films felt like a coda to beloved characters from decades past, whereas The Expendables, from 2010, was new-ish. Or maybe having a comeback film is just part of Sly’s brand in the 21st century. Either way, The Expendables is the throwback to 1980s action that no one knew we needed until it showed up in theaters and made money. Continue readingStallone Month: The Expendables”

Stallone Month: Rocky IV

This film is, without a doubt, peak Rocky. Gone is the working class Joe with the wicked left. In his place is a warrior for not just the American way, but for the Reagan era. It’s a stunning character transition, and also makes for spectacle of the highest order. Just sit back and say “wow” whenever it feels appropriate. But first, viewers must endure Paulie’s birthday party scene. Continue readingStallone Month: Rocky IV”