I wouldn’t say that horror cinema was in the doldrums around the turn of the century. There was a strong direct-to-video market, independent movie makers were still churning out flicks shot on VHS, and there had been a revival of the teen slasher flick in theaters. But, there was a hangover from the golden age that was the 1980s. It felt like everything that could be achieved in the genre had now been done. There was nowhere left to go with gore, monsters, killers, ghosts, scares, etc. Horror had been stripmined and there were only a few original ideas on the horizon (not true, fortunately). Continue reading “October Horrorshow: Jeepers Creepers, featuring the Dumbest Decision By a Character in Horror History”
Some of Those Responsible: Ed Marx
October Horrorshow: Mara
Sleep paralysis is a real condition that up to half of the people on Earth suffer at least once in their lives. Wikipedia describes it as, “…a state, during waking up or falling asleep, in which a person is aware but unable to move or speak.” That’s creepy enough as it is, but sleep paralysis can also be accompanied by hallucinations, which the sufferer may interpret as supernatural. Again, from the Wikipedia article on sleep paralysis:
Sleep paralysis may include hypnagogic hallucinations, such as a supernatural creature suffocating or terrifying the individual, accompanied by a feeling of pressure on one’s chest and difficulty breathing. Another example of a hallucination involves a menacing shadowy figure entering one’s room or lurking outside one’s window, while the subject is paralyzed.
My sympathy goes out to those who have gone through this, but that is great fodder for a horror flick. I’m surprised there haven’t been more.
Mara, from 2018, is the first film from director Clive Tonge, from a screenplay by Jonathan Frank. In it, Olga Kurylenko stars as Kate, a psychiatrist working with the local police (filming was on location in Savannah, Georgia). Continue reading “October Horrorshow: Mara”
October Horrorshow: Hatchet III
I had high hopes for this flick. Admittedly, those hopes were unrealistic. But, Hatchet II was last year’s official film of the Horrorshow, one I had a lot of fun watching, and I was looking forward to more cartoonish gore and general silliness. All the ingredients were there. Same writer/director, same stars, what looks to be the exact same sets, but this time around, the results are not the same. Continue reading “October Horrorshow: Hatchet III”
October Horrorshow: Hatchet II
I judge sequels and remakes a bit more harshly than other films. I cannot help but compare further entries in film series to their predecessors. It would be ideal if I could judge something like Aliens or Jaws 2 on their own merits, but I find that impossible if I have seen the earlier film. The associations in my brain are just too strong to ignore. That’s not a problem today. I have not seen Hatchet, the first of writer/director Adam Green’s ongoing story of murderous freak Victor Crowley, but I did just watch Hatchet II, and now I think it is time...
Ahem!
Ladies and gentlemen, my Loyal Seven readers, I present to you Hatchet II, the official film of the 2014 Missile Test October Horrorshow. This flick represents just about everything I love in a slasher flick. There’s loads of gore and buckets of fake blood; all the killing is done in the woods; in Danielle Harris, it stars a legitimate scream queen; and it looked like it had a budget of about a nickel and a half. Oh, and best of all? It’s 85 minutes long. We love reasonable run times here at Missile Test. There’s nothing more interminable in a film than bloated length, so when I catch a movie that doesn’t hold me prisoner past the start of the eleven o’clock news, I’m thrilled. Continue reading “October Horrorshow: Hatchet II”