October Horrorshow: The Day of the Triffids (1963)

Leave it to England, land of the most enthusiastic domestic gardeners in the world, to produce a monster flick about giant, carnivorous plants.

The Day of the Triffids comes to us from 1963. Adapted by screenwriter Bernard Gordon from the novel by John Wyndham, The Day of the Triffids tells the story of an alien invasion of Earth. But, these aren’t the normal, big-eyed, grey-skinned creatures with laser guns with which audiences are so familiar. These are, as noted above, huge, ambulatory plants that poison their victims and then consume them. They are creatures that require no sentience to carry out their invasion. Like the kudzu, they have strength in numbers. Continue readingOctober Horrorshow: The Day of the Triffids (1963)”

October Horrorshow: The Creeping Flesh

When is a Hammer flick not a Hammer flick? Well, when it wasn’t made by Hammer. It’s not a trick question. But, the filmmakers behind The Creeping Flesh, from 1973, made every effort to craft a movie indistinguishable from a Hammer flick, going so far as to cast Hammer Film Productions’ two biggest icons in Peter Cushing and Christopher Lee.

Taking place in Victorian England, Cushing plays Emmanuel Hildern, a scientist recently returned from an expedition abroad. He has returned with a monstrous skeleton he excavated, which he hopes proves his theories about the origin of man. Continue readingOctober Horrorshow: The Creeping Flesh”

October Hammershow: Dracula Has Risen from the Grave

It is now the halfway point of this year’s Horrorshow, and I’m enjoying watching all these classic Hammer horror flicks. But, watching them all close together like this means I’m more aware of when they are repeating themselves compared to watching them on a normal release schedule. For example, the three Mummy flicks I’ve reviewed so far this month have basically been the same film. There is still a good film to be made from the idea, but by The Mummy’s Shroud, I’m not sure the filmmakers were trying. Today’s film, Dracula Has Risen from the Grave, suffers from some of the same sort of creative malaise that doomed The Mummy’s Shroud. Continue readingOctober Hammershow: Dracula Has Risen from the Grave”

October Hammershow: The Evil of Frankenstein

Hammer had a good thing going with its Frankenstein films. Because Universal Pictures were being stingy with their trademarks, Hammer had been forced to deviate from Universal’s Frankenstein flicks in setting and characterizations. This freed Hammer’s creative teams to come up with some pretty imaginative stuff, and also allowed the films’ star, Peter Cushing, to make the character of Victor Frankenstein his own. But, Hammer and Universal ironed out their differences in the form of a distribution deal, and Hammer wasted no time bringing their Frankenstein into line with Universal’s. That’s too bad. Continue readingOctober Hammershow: The Evil of Frankenstein”