Hans Zimmer – Missile Test

October Horrorshow: Ringu & The Ring

Ringu It’s the October Horrorshow! It’s no secret that I hate autumn. It’s a shit time to be alive here in the northern latitudes, where the air takes on a chill, the days become noticeably shorter, and every plant from here to Seattle looks like it’s dying. Thank goodness, then, for Halloween. The festival of death is a yearly finger in the eye to the fall season, when we, and by that, I mean me, watch lots and lots of horror flicks. I choose to embrace nature’s inexorable slide into hibernation by watching fake snuff films, paradoxical as that is, and I love every minute of it. Like last year, there’s a full slate of reviews this year. No gaps. And the first is a double billing.

Ringu is the king of J-Horror. It’s not an undisputed title, but, as of this October Horrorshow, Ringu ranks as the highest-grossing horror film in Japanese history. That’s a fairly good argument in the film’s favor.

From 1998, Ringu is an adaptation of a novel of the same name by Koji Suzuki. The film was directed by Hideo Nakata. Continue reading “October Horrorshow: Ringu & The Ring”

The Empty Balcony: Rush

Racing is a popular sport, but at the same time, it’s very niche. The sport can be opaque, which is surprising about something with a premise as simple as seeing who’s the fastest around a track. But, like all things that human beings get ahold of, a simple premise becomes complicated over time. Rulebooks get thicker, jargon becomes more and more unintelligible to the uninitiated, and the barriers to learning how to appreciate a sport like racing grow too high for many casual observers. To many people watching on television, racing, especially on road courses, looks like a bunch of cars making turns with little context available beyond what’s coming from the announcers. Continue reading “The Empty Balcony: Rush”

The Empty Balcony: Man of Steel, or, Church

You can save her, Kal. You can save all of them.

So says the ghostly avatar of Jor-El (Russell Crowe) in Team Nolan’s Man of Steel, right before the Man himself, Superman (Henry Cavill), falls backwards out of a spacecraft, arms spread wide, mimicking the posture of Christ on the cross. Continue reading “The Empty Balcony: Man of Steel, or, Church”

Shitty Movie Sundays: Backdraft

Do NOT trust this trailer. This movie sucks.

Nothing is ever interesting enough for Hollywood. If you pitch them a movie about mountain climbers starring Sylvester Stallone, they follow that up by asking what the hook is. Alpine climbing in bad weather just isn’t compelling in their line of thinking, so the movie has to be augmented with a bunch of bad guys who robbed the Treasury Department. And that’s how we got the movie Cliffhanger. Continue reading “Shitty Movie Sundays: Backdraft”

The Foam Rubber Wholesalers Convention

The Dark Knight Rises movie poster Christopher Nolan has wrapped up his epic interpretation of the Batman saga, and the viewing public has benefited greatly. After two of the most epic and well-made superhero films of all time, and fine films in their own right, the tale comes to an end this summer. Nolan, and his screenwriter brother Jonathan, should be credited with legitimizing and dragging into believability an aged franchise that at times wears its history and legacy as a seventy-year-old burden.

Only the most basic of continuity from the DC Comics characters remain in the Nolan retelling. Ra’s al Ghul? Dead after one film. Joker? One film and done (extenuating circumstances do apply). Two-Face? Dead, and a far cry from the criminal mastermind of the comics. Even Scarecrow, a stalwart of the Rogues Gallery, saw his menace pass with Batman Begins, settling for mere cameo in the subsequent films.

One of the things regular readers of the serialized Batman comics can count on is the lack of finality in any story. Sure, Joker, or Killer Croc, or Zsasz will wreak their havoc upon Gotham City and its inhabitants, but Batman always prevails, and Arkham Asylum welcomes the vanquished villain with open, inadequately secured arms, sure to let their ward escape to challenge the Masked Manhunter again...editors willing. Continue reading “The Foam Rubber Wholesalers Convention”

The Empty Balcony: Black Hawk Down

Black Hawk Down is perhaps the simplest movie I’ve ever viewed, and also the most complicated. The United States intervention in Somalia is a footnote in America’s foreign policy history, but it is quite weighted, to the point that a student of recent American politics ignores it at their own peril. The initial American operation in Somalia, Operation Provide Relief, part of UNOSOM I (United Nations Operation in Somalia I), began in August 1992 as a response to the massive amount of killing and humanitarian suffering throughout the country. It was followed by UNITAF (Unified Task Force), also known as Operation Restore Hope, which lasted from December 1992 to May 1993. During that time, the United States suffered 43 killed and 143 wounded, but was able to increase the security of much of the country. After the mission ended, however, the peace did not last, as the warlords reasserted their control and chaos took hold once again. This led to UNOSOM II, Operation Gothic Serpent, and ultimately to the Battle of Mogadishu. Continue reading “The Empty Balcony: Black Hawk Down”