John Milius must have a violence jones. That’s the only explanation for the films in which he’s played a pivotal part. He wrote Apocalypse Now, which turned war into hallucinatory spectacle, wrote and directed Red Dawn, considered by some at the time to be the most violent film ever made (no, it was not), and wrote and directed Conan the Barbarian, which really was the most violent film ever made at the time. I remember my first encounter with Conan the Barbarian. It was late one night when I was very young. I was supposed to be in bed, but from downstairs, I heard the television. Great clashes of bombastic music and the sounds of screaming warriors made their way up the steps, and I had to see what craziness the old man was watching. I should have known better. Continue reading “Schwarzenegger Month: Conan the Barbarian”
Some of Those Responsible: John Milius
The Empty Balcony: Red Dawn (1984)
The year 1984 was an unforgettable year in geopolitics, and not for the reasons George Orwell thought. Overseas, the Soviet Union was dealing with a wheat harvest from the previous year that matched lows not seen since the 1920s. Even the scorched earth of western Russia during the Nazi invasion saw more plenty. Things were worse in Poland, a situation the Soviets took advantage of after food riots began and the Soviets occupied the country as peacekeepers. Continue reading “The Empty Balcony: Red Dawn (1984)”
The Empty Balcony: Apocalypse Now
Apocalypse Now dropped into my cinematic experience like a bomb. When I was a teenager, I had been vaguely aware that it was a film about the Vietnam War, but I thought nothing more about it other than that it had an interesting title. I had seen other Vietnam War films, notably Platoon and Full Metal Jacket, and felt like I was familiar with the material I would see in Apocalypse Now, so there was no great rush on my part to seek it out. Also, there wasn’t anyone my age (somewhere in the early years of high school, I’m not exactly sure when) who had seen it, so there weren’t any peer recommendations or condemnations to go with the film. Continue reading “The Empty Balcony: Apocalypse Now”