There is the nucleus of a good movie in Moonbase, the 1997 sci-fi thriller from director Paolo Mazzucato and screenwriters Brian DiMuccio and Dino Vendini. It doesn’t score high in the originality sweepstakes, but it is one of the vast breed of films that could be summarized as, “Die Hard on a…” In this case, it’s Die Hard on the moon. There is a band of bad guys with a charismatic leader who invade and occupy a confined space. They hold people hostage. There is one unlikely hero that can save the day. Well, at least, this flick teases the one hero. What viewers get is more of an ensemble effort, but that’s just a small detail. It’s the big stuff that dooms this flick. Continue reading “Moonbase”
Some of Those Responsible: John Philbin
Children of the Corn (1984)
This is a film that gave birth to ten, count them, ten, sequels and reboots? This mediocre, slapdash, and, at times, lazy film made enough money to spawn a franchise? There really is no accounting for taste.
From way back in 1984 comes the original Children of the Corn, an adaptation of a Stephen King short story. King worked up a draft for a screenplay, but producers ultimately went with a pile of pages written by George Goldsmith, with first-time director Fritz Kiersch at the helm. Kiersch was handed a budget of around $800k, and his gobbledegook somehow managed to rake in over 14 million bucks at the box office. That’s on us, folks. Continue reading “Children of the Corn (1984)”
The Return of the Living Dead
The October Horrorshow continues on Missile Test, when we devote the entire month of October to watching and reviewing horror films. Today’s entry is tongue-in-cheek cult zombie classic The Return of the Living Dead, written and directed by Dan O’Bannon, from a novel by John A. Russo, co-creator of Night of the Living Dead. In its own way, Return is a sequel to Night of the Living Dead, although that film’s director, George Romero, had no involvement, and had already directed his own sequels to his legendary zombie progenitor. How this came about was the result of legal wrangling between Romero and Russo. Details aside, they had a falling out, and the original film spawned competing strings of sequels and continuity that continues to this day. Continue reading “The Return of the Living Dead”