Sometimes, being typecast isn’t necessarily a bad thing. It was typecasting that brought audiences a decade of classic action films from Arnold Schwarzenegger. Breaking out of that mold brought more financial success, to be sure, but crossover Arnold never felt like the real thing. He felt sanitized for mass consumption. This is an oversimplification, of course, but the Arnold that was in Junior, the anonymous and final film he worked on with director Ivan Reitman, could not have been more out of place. Continue reading “Schwarzenegger Month: Junior”