American International Pictures is mostly associated with 1950’s and ’60s b-movie fare, most notably the works of Roger Corman. But the ’70s were no less of a productive decade for AIP than were the ’50s and ’60s. In that mustard yellow decade of Nixon, Ford, and Carter, AIP produced or distributed many of the notable films in the blaxploitation genre, while keeping to its horror and regular exploitation roots with such titles as The Incredible Melting Man and 1000 Convicts and a Woman. One thing all AIP flicks seem to have in common is a desire to make a quick buck while not being beholden to any higher purpose in cinema. That makes any viewer not just a customer of AIP, but something of a mark. There is a minimum expectation of quality in any random American film audience, despite what others think about our culture, and it was the rare AIP flick that managed to meet this standard, nor did they try. Meteor, distributed by AIP, is an excellent case in point. Continue reading “Shitty Movie Sundays: Meteor”
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