The Empty Balcony: The Avengers, or, the War of the MacGuffin

Dictionary.com defines MacGuffin as “an object or event in a book or film that serves as the impetus for the plot.” Wikipedia goes further, defining it as “a plot device in the form of some goal, desired object, or other motivator that the protagonist (and sometimes the antagonist) is willing to do and sacrifice almost anything to pursue, often with little or no narrative explanation as to why it is considered so desirable (emphasis added).” Alfred Hitchcock is credited with popularizing the term in the movie industry, employing it himself, even turning Cary Grant into a MacGuffin in North by Northwest. Continue readingThe Empty Balcony: The Avengers, or, the War of the MacGuffin”

The Empty Balcony: Master and Commander: The Far Side of the World

Patrick O’Brian published twenty complete Aubrey-Maturin novels in his lifetime, with an unfinished twenty-first published posthumously. The novels are writ large with swashbuckling tales of life in the Royal Navy during the Napoleonic Wars. Thick with naval terminology and period slang, O’Brian is quite effective at transporting reader far away from what comfortable chambers they find themselves and placing them smack on the quarterdeck of a ship of war. O’Brian’s novels are far from high-minded and haughty literary endeavor. They succeed as great historical novels through the skill of O’Brian’s narratives, not the cleverness of his prose. Like a true saltwater-in-the-veins sailor, they lose direction slightly when characters find themselves on land for extended periods, but pages fly when O’Brian throws his characters into pitched battles with superior foes (as he always does — O’Brian treats his sailors savagely, always requiring them to beat tremendous odds). Continue readingThe Empty Balcony: Master and Commander: The Far Side of the World”