Regular readers of Shitty Movie Sundays will know that we have quite the appreciation for Nicolas Cage. He’s past the heady days of A-list stardom and has settled into a late career of appearing in small prestige projects and shitty movies alike, to the tune of six or so productions a year. He’s not the first aging star to enter the magical land of b-movies paydays. In fact, he’s not the only actor who has been prolific in the realm of late. Bruce Willis has spent the last decade padding his IMDb page with substandard action and thriller fare, racking up eight credits in 2021 alone. Continue reading “Shitty Movie Sundays: Fortress (2021)”
Chad McQueen is Sean ‘Martial Law’ Thompson, and Cynthia Rothrock is vice squad officer Billie Blake. They kick ass, take names, and cohabitate in Martial Law, the 1990 direct-to-video action flick from screenwriter Richard Brandes and director Steve Cohen.
Viewers may remember McQueen as the Kobra Kai with the dyed blond hair in the original Karate Kid. It turns out, the man wasn’t faking it. He has some karate skill, and turned it towards a fairly decent career in shitty movies. And, if one doesn’t know who Cynthia Rothrock is, one is still in the fledgling stage of shitty movie fandom. Continue reading “Shitty Movie Sundays: Martial Law (1990)”
Dakota Smith (Fred Williamson) is back in yet another sequel to b-thriller Night Vision. This flick was intriguing to the shitty movie fan in me because it’s a step forward when it comes to casting, compared to other films in the series. Besides Williamson, who also produced and directed, On the Edge features blaxploitation and/or football legends Jim Brown, Bernie Casey, and Ron O’Neal. Gary Busey returns to play a different bad guy than the one he played in the second Dakota Smith flick, Down ’n Dirty, while Ice-T appears as a slimy nightclub owner and smalltime hood. What a cast. Continue reading “Shitty Movie Sundays: On the Edge (2002)”
Bruce Willis is having an interesting stretch in this, the latter part of his career. It’s also a familiar one. Like many stars of the past, he is either unwilling, or unable, to take on parts in big budget Hollywood flicks or prestige films. Rather, he has spent the last half-decade or so in b-movie schlock. Sure, he turned up in Glass, and Eli Roth’s underrated remake of Death Wish, but this is overshadowed by his roles in films like Hard Kill, Breach, and today’s subject, Cosmic Sin.
The thing I find most amusing about this turn is that Willis always seems to play the same character in every film — a roguish antihero who joins the cause reluctantly. Watching the first act of these films, one can imagine that it mirrors the process that filmmakers had to go through to convince Willis to be in their movies. Continue reading “Shitty Movie Sundays: Cosmic Sin”
I once did an entire month’s worth of Sylvester Stallone reviews. Dear reader, you cannot imagine how sick I was of that man, that icon, that Hollywood legend, by about the two-thirds mark. It was a struggle. So much so, that at one point I decided to take ‘Stallone Month’ literally, and not limit myself to just one member of the clan. However, I soldiered on, and that alternate plan never came to fruition. Had I done so, I would definitely have featured today’s flick. I haven’t seen all that many movies starring Frank Stallone, but Terror in Beverly Hills has to be his apex as a leading man. At the very least, it’s the silliest piece of shit he’s ever been in. Continue reading “Shitty Movie Sundays: Terror in Beverly Hills”
Movie fans might be surprised that besides being a former pro football player, 1970s blaxploitation film icon, and all-around b-movie legend, Fred Williamson has 21 producing and directing credits to his name as of this writing (sometimes it’s the same movie, sometimes it’s not). The movies in his producing and directing lists aren’t all that good, but his presence alone raises the cachet.
Williamson directed, produced, and starred in Down ’n Dirty, from a screenplay by Aubrey K. Rattan. It’s a throwback movie. Despite being released in 2000, the script could easily have been used for a film in the 1970s. The only things that would be anachronistic are the cars, fashions, and the use of cellphones. Other than that, the film fits right in with a decades-old model. Continue reading “Shitty Movie Sundays: Down ’n Dirty”
When I set out on this crusade to raise awareness of the merits of shitty movies, I never expected to write about two films in a row featuring Richard Grieco, but here we are. He’s not the star of today’s film. Rather, he is the most electric member of the cast. So sorry, Nicole Eggert.
From 1995 comes The Demolitionist, the directorial debut from longtime special effects makeup artist Robert Kurtzman. It’s a Robocop ripoff. There’s not much more to it than that. It is also an ambitious flick, with a decent title, some outrageous performances, and a hot lead who tries her best. Continue reading “Shitty Movie Sundays: The Demolitionist”
At first glance, a viewer might be hard-pressed to find anything worthwhile about Attack of the Unknown, the 2020 alien invasion flick from writer/director Brandon Slagle. It really is bottom of the barrel filmmaking. Everything about this film screams cheapness, while Slagle’s direction showed a somnambulistic lack of urgency in every scene. It’s like the entire film was on valium. But, one must consider the star, Richard Grieco, as SWAT team member Vernon. Continue reading “Shitty Movie Sundays: Attack of the Unknown”
According to the internet, so it must be true, Post Impact, the 2004 joint US/German production, had a budget of around 3.2 million bucks, and it’s fair to wonder where it all went. It wasn’t in casting. Dean Cain doesn’t cost that much. And it certainly didn’t all go into digital effects, which are among the worst a shitty movie fan is likely to see.
The poor, awful, dreadful quality of this film is nothing new for producers Alan Latham and T.J. Sakasegawa, who have produced dozens of bad films between them. It was nothing new for star Dean Cain, either, who was in a career wasteland for a while after Lois & Clark wrapped in 1997, appearing in many films so poor they would make the folks over at The Asylum blush. Continue reading “Shitty Movie Sundays: Post Impact”
Critters might be the first horror franchise to take its action off planet. Hellraiser took to space in 1996, Leprechaun followed a year later, and Friday the 13th sent Jason Vorhees into the black in 2001. Incredible as it seems, Critters 4 might be a groundbreaking film.
From 1992, Critters 4 was shot at the same time as Critters 3, but this isn’t a case of breaking a single film into two parts when things began to sprawl. Critters 4 was always a separate film from the third, with a different director in Rupert Harvey. Much of the production crew, including the Chiodo Brothers, remained the same. Continue reading “Attack of the Franchise Sequels: Critters 4″