Tag: Action Flick

Enemies Closer (2013)

Jack Webb and Harry Morgan. Paul Michael Glaser and David Soul. Mel Gibson and Danny Glover. Eddie Murphy and Nick Nolte. Will Smith and Martin Lawrence. Sylvester Stallone and Kurt Russell. Gregory Hines and Billy Crystal (this actually happened). Buddy action duos extraordinaire. Now, get ready for…Tom Everett Scott and Orlando Jones?

Today’s film is proof that actors aren’t the only Hollywood folk that slum it in the latter stages of their careers. Peter Hyams, who had a decent run as a mainstream filmmaker, including that aforementioned Hines and Crystal collab, wrapped up his directorial career with Enemies Closer. He was a hired gun for this flick, and, if information on the internet can be trusted, was intrigued by the prospect of shooting a low-budget action flick with a tight shooting schedule. Whatever the reason was for taking on this project, his skill as a filmmaker is probably what keeps this flick from falling into the nether reaches of the Watchability Index. Continue reading “Enemies Closer (2013)”

Money Plane

One would think that professional wrestlers are tailormade action stars. They are athletic, charismatic, decent at improv, and willing to do just about anything to put on a good show. Also, one of the most important weapons in a wrestler’s arsenal is the ability to play a character. These men and women spend months or years crafting characters to which roaring crowds respond, either favorably, in the case of faces, or with gleeful jeers, in the case of heels. These are people who know how to work crowds, but remove the crowds, leaving nothing but cameras and crew, and the vast majority of wrestlers turned actor seem a bit lost. Continue reading “Money Plane”

The Guy from Harlem

You know how in movies, sometimes, there will be another movie shown on a television in the background, or one of the characters will be watching it? It’s common for these prop movies to be old public domain flicks, or, if the director is feeling particularly ambitious, something cobbled together just for that movie. Think Angels with Filthy Souls from Home Alone. That wasn’t a real old noir flick that Kevin was watching on the TV. It was a fake, a part of the scenery, a piece of cinematic cliché meant to set the mood.

Today’s shitty movie, The Guy from Harlem, has that same kind of feel. It feels like a deliberate attempt to fake a bad 1970s blaxploitation flick. The print that’s available for streaming, as of this writing, is a transfer from a badly worn 35mm print. Pops and scratches abound, the color is as washed as I’ve ever seen in an old film, and there are many, many missing frames. It feels readymade as a movie within a movie, only it was a legitimate production. Barely. Continue reading “The Guy from Harlem”

The Defender (2004)

At first glance, this flick doesn’t look like much. It’s just another direct-to-video action flick with a miniscule budget, a small cast led by a Hollywood b-lister, and just a single location where all the fun stuff happens. It’s about as anonymous as these types of flicks get. Then, one looks a little deeper. It stars Dolph Lundgren. No surprise there. He’s starred in dozens of these types of films. This is also the first one he directed. Shitty movie fans rejoice! But, that’s not all.

This is also a very topical film, in a way most b-movies never bother with. It was released in 2004, at the height of The Global War on Terror, as it was dubbed in the political wonkiverse. The United States was engaged in two very bloody wars, and looking with paranoiac diligence for enemies wherever they may be. No one could be trusted, and this film, believe it or not, captures a lot of the prevailing mood of the time. But, there’s still more! Continue reading “The Defender (2004)”

Future Zone

John Tucker (David Carradine), the toughest and deadliest C.O.P. (Civilian Operated Police) is back in action, in Future Zone, the 1990 sequel to Future Force. This movie does away with explaining the lore, so some background from the first film is in order.

In the near future crime has become so rampant that government operated police forces have been disbanded, replaced by a civilian equivalent that has more in common with old west bounty hunters than proper law enforcement. These COPs (this movie drops the ‘S’ from the acronym) carry six shooters and dress like bikers. Tucker is the biggest badass of them all, blithely informing criminals that they have the right to die, just before he shoots them in the chest. He also has a power glove that shoots rays of lightning from its fingers. But, like the first film, it’s such a deus ex machina that writer/director David A. Prior keeps it mostly out of sight. Continue reading “Future Zone”

Atomic Eden

Fred Williamson is a favorite here at Shitty Movie Sundays. He has taken the idea of one-dimensional acting and spread it out across six decades of b-cinema. I’ve seen a number of his films and he plays the same guy, in the same way, in every single one of them…even the ones that take place in the future. He’s a cigar chomping badass who shoots straight, punches hard, and, runtime willing, always gets the ladies. The last couple of decades have seen him transition into an elder statesman version of the role, but the basics are there. In Atomic Eden, Williamson plays Stoker, a mercenary commander who takes on a tough, and very important, mission in the shadow of the Chernobyl nuclear power plant. Continue reading “Atomic Eden”

Future Force

In the near future, by the year 1991, crime has become so rampant in the United States that all local police forces have been disbanded and replaced by private companies. These companies are collectively known as C.O.P.S., or Civilian Operated Police Incorporated. Wait, that’s not right. But that’s what the opening voiceover calls them. By the second scene in Future Force, from writer/director and b-movie auteur extraordinaire David A. Prior, viewers know that the last word in the COPS acronym is Systems, not Incorporated. We love a lack of attention to details like that here at Shitty Movie Sundays.

These new COPS aren’t like the old cops. For one thing, the American system of justice has been turned on its head. The accused are now presumed guilty, and are convicted before they are ever arrested, often without knowledge of their offenses. Continue reading “Future Force”

The Space-Fighter

The Space-Fighter movie posterThere is some mythmaking surrounding today’s film, so a little internet detective work was called for.

The Space-Fighter, according to its credits, is a production of The Stryker Brothers, Michael and Matthew. They wrote, directed, produced, starred, and handled the digital effects. On the IMDb page for the film, though, the credited director is Matthew Arnashus, who also stars as Vic Rider. Vic’s brother in the film, Ken, is credited to Michael Jean. However, Vic and Ken are clearly twins. But, are they?

Some more digging in the tubes has turned up info that Matthew Arnashus is a freelance editor and voiceover actor working out of the Chicago area. He has a brother named Michael, but I couldn’t find out if they had the same birthdate, because I’m not going to pay some sketchy white pages site for that information.

The reason the birthdate for Michael is something I was poking around for is because of how this movie was shot. Vic and Ken are twins, but in many scenes the two share, it was shot as if a single actor was playing the two characters, with them rarely sharing the same shot, and the occasional use of a body double. Yet, in the first scene in which they appear, it looks very much like there wasn’t any trickery involved. It’s a mystery. Maybe there were scheduling conflicts keeping one or the other away from the set. Maybe they were just messing with poor viewers like me. Anyway… Continue reading “The Space-Fighter”

Deadman Apocalypse

What can one say about a movie that made £25,000 at the box office? That it was a blockbuster, that’s what!

Deadman Apocalypse, the first feature from writer, director, and producer Charlie Steeds, was made on the stringiest of shoestring budgets, only putting a £1,500 dent in Steeds’ bank account. That means Deadman Apocalypse made almost seventeen times its budget. Big Hollywood studios would kill, and have, for that kind of return on investment.

Of course, I’m being facetious. Box office returns are not the best measure of a film’s success. It’s the content of the film that counts. As for this film’s content? Well… Continue reading “Deadman Apocalypse”

Detention (2003), or, Die Hard at a High School

Yep, it’s another low-budget Die Hard at a… flick, something that Dolph Lundgren has excelled at during his long and prolific career in shitty movies. Some are bad, some are awful, some are passable. I have yet to see a Die Hard at a… flick from Dolph that is excellent. But, the man has a lane, and he stays in it.

Released direct-to-video in 2003, Detention follows Dolph as Sam Decker, a former soldier who got fed up with soldiering after he witnessed American bombs destroy a building full of bad guys and child hostages in Bosnia. Now, ten years on, he’s a teacher at a rough and tumble inner city high school. He’s fed up with that gig, too, and hands in his resignation early one morning. Because he is leaving his principal in the lurch, Decker is assigned to supervise after school detention on his last day. Continue reading “Detention (2003), or, Die Hard at a High School”