According to the internet, so it must be true, filmmaker Stuart Gordon was in producer Charles Band’s office when he noticed a poster for a film called Castle Freak. There was no film, as yet — just a poster. But, if Gordon wanted the project, Band said, he could have it, as long as the film he made had a castle and a freak in it. It’s a scene straight out of Ed Wood, so who knows how true it is. True or not, Gordon took the idea and ran with it, making a horror film that was…unique. Continue reading “October Horrorshow: Castle Freak”
Tag: Gory Flick
October Horrorshow: City of the Living Dead, aka Paura nella città dei morti viventi
This film has nothing to do with George Romero’s Dead films. In a bit of shameless commercialism, City of the Living Dead is another Italian film that tries to ride the coattails of a profitable American horror franchise. And it’s not a case of an American distribution company changing the name of the film. When it was released in Italy, this film was given the title Paura nella città die morti viventi, which, according to the internet, translates as Fear in the City of the Living Dead. Clear? Good. Compared to other low-budget Italian horror fare, these title shenanigans are nothing.
From writer/director Lucio Fulci, who shared screenwriting credits with Dardano Sacchetti, comes City of the Living Dead, released in 1980. The film tells the story of a cursed town in New England called Dunwich. There, the local priest, Father William Thomas (Fabrizio Jovine), hangs himself. For some reason that was either never explained or that I didn’t catch, the priest’s suicide opens a gateway to hell, allowing evil to pour forth into the world of man. Continue reading “October Horrorshow: City of the Living Dead, aka Paura nella città dei morti viventi”
October Horrorshow: Maniac (1980)
This is not a horror movie for those looking for traditional scares. This is a horror movie for those who have become accustomed to the sight of a specter in a mirror or a zombie just around the corner. This is a horror movie with a killer of no less eccentricity than a vampire or a werewolf, only the killer in this film blends in. He’s a next-door neighbor or a familiar face at the neighborhood grocer’s. He’s one of us. And when he’s explored he’s not shown as some unholy or supernatural freak. He is, just like the title, a maniac.
Maniac, from 1980, was directed by William Lustig, from a screenplay by Joe Spinell and C. A. Rosenberg. Spinell also stars as the titular maniac, a loner named Frank Zito.
Potential viewers might recognize Spinell. A familiar face among New York City based tough guy actors, he had small roles in the Godfather films and a prominent role as loan shark Tony Gazzo in Rocky. There are stories all over the internet about how beloved a personality he was (Spinell died in 1989), and how his friendship with Sylvester Stallone inspired him to guide his own film project. The result is not a film about a lovable underdog, but a film about a serial killer who scalps his victims. Continue reading “October Horrorshow: Maniac (1980)”
October Horrorshow: The Void
A movie like this has been a long time coming. After two decades of CGI, most of it subpar, dominating effects in horror flicks, The Void comes along and shows that latex, and other dangerously flammable stuff, still has a place in horror. Continue reading “October Horrorshow: The Void”
October Horrorshow: Jason X
It’s Friday the 13th! In October! Missile Test couldn’t possibly let the day go by without watching a Friday the 13th flick, and this one is a doozy. By 2001, the original Friday the 13th franchise was on its last legs. The producers, recognizing that the old formula had been ground into dust by overuse, decided to shake things up. And by shake things up, I mean they all contracted serious cases of the awfuckits and sent their franchise property into space. That’s right, no more summer camp and no more Crystal Lake. This film takes place in outer space…in the future. Hell yeah.
Jason X, from writer Todd Farmer and director James Isaac, is the tenth film in the Friday the 13th franchise. It’s the second to ditch the Friday the 13th moniker, after 1993’s Jason Goes to Hell: The Final Friday. When a film franchise forgoes using its title — the most significant brand that it has — a viewer can tell that things haven’t been going so well lately. The Friday the 13th flicks were always moneymakers, but the return on investment had been going down with every film, and the franchise had earned an unsavory reputation for being cheap, exploitative schlock. Clearly the only thing to do was to double down. Continue reading “October Horrorshow: Jason X”
October Horrorshow: Contamination
The 1980s must have been an interesting time to be an actor in New York City. It was a mythic age, before Law & Order began filling multiple lines in the CVs of innumerable performers in the five boroughs. Instead, the city seemed to be crawling with itinerant Italian filmmakers, drunk on dreams of ripping off the latest American sci-fi hit and making some dollars on the cheap. Fabrizio De Angelis, Enzo G. Castellari, Sergio Martino, Luigi Cozzi, and more, made The Big Apple their home away from home in the ’80s. If it wasn’t possible to make it on Broadway or on TV, there was always bottom-feeding cinema. Continue reading “October Horrorshow: Contamination”
October Horrorshow: Raw, aka Grave
Raw, the French-Belgian horror film from writer/director Julia Ducournau, is no easy watch. It’s a deliberately paced slog interspersed with disturbing visuals and tension. It is a film designed to make viewers uneasy — the type of horror film that trades in disgust rather than fright. Continue reading “October Horrorshow: Raw, aka Grave”
October Horrorshow: Burial Ground, aka The Nights of Terror, aka Le notti del terrore
What a gloriously shitty movie. Burial Ground, also released under a number of different titles, is an Italian horror gore-fest from 1981. Director Andrea Bianchi crafted a flick that ticks off just about all the boxes when it comes to shitty Italian cinema. The film stock is cheap, the dubbing sucks, there are numerous overlong shots used to mask a distinct lack of plot, et cetera. It really is a wonderful example of bad cinema of the era, taking its place alongside anything from Shitty Movie Sundays favorite Enzo G. Castellari. But, it also has the added benefit of being somewhat watchable.
Somewhere in Italy near an old villa (the Villa Parisi just north of Rome was the filming location), an unnamed professor (Raimondo Barbieri) is excavating an old tomb. Unfortunately for him, his digging and poking invokes an ancient curse of protection, and all the dead from olden times in the area come to life as flesh eating zombies. They’re just about the slowest zombies that have ever been put to film, but they are unique. Rosario Prestopino is credited with the special effects makeup, and he and his team did a better job than could be expected from a flick like this. Continue reading “October Horrorshow: Burial Ground, aka The Nights of Terror, aka Le notti del terrore”
October Horrorshow: Ghosts of Mars
John Carpenter is one of my favorite directors. He’s not on the Mount Rushmore of filmmakers, but his best films can be thought of as eminently watchable. They are respected. They are known and successful enough that a lot have been remade. But he also has some films that are not so good. It would be easy to blame Carpenter’s poorer quality films on budget, but that does not compute. Carpenter worked magic with the measly budgets he had in Halloween and Escape from New York. Rather, something happened in the late 1980s, starting with Prince of Darkness in 1987, that precipitated a steady decline. There were still sparks of life in his films, but that eminently watchable quality of his films seemed to fly away. In its place was substituted cheapness, sometimes of rank quality, and this turn was inexplicable from a filmmaker who had done so much with so little throughout his career.
I knew Ghosts of Mars was going to be trouble before the opening credits. Viewers are treated to a voiceover explaining the situation on Mars in the 22nd century, while at the same time captions flash on the screen providing even more information. It’s a jumble of sci-fi exposition, and the lack of care taken in this introduction is not a good sign. Continue reading “October Horrorshow: Ghosts of Mars”
October Horrorshow: Phantasm
There are some horror films that endure — that have become an essential part of the horror film experience. Part groundbreaking, part cheesy and stupid, Phantasm is one of those films. Continue reading “October Horrorshow: Phantasm”