It Came from the Camcorder: Night Crawlers (1996)

Missile Test has been doing the Horrorshow since 2009, and this year’s theme, It Came from the Camcorder, has been the most difficult, both to watch and to write about. The me that came up with this idea many months ago has placed a burden on current me that I didn’t expect. Even today’s movie, from a pair of moviemakers that I respect, is a low-down dirty dog that probably never should have seen the light of day. Strike that. No movie is too bad to be made or watched (for at least fifteen minutes, anyway), but there is no obligation from any critic, hobbyist or professional, to blow smoke and pretend that it’s an artistic accomplishment. Congratulations, Polonia Bros., you made another movie, and it sucks.

From back in 1996, Night Crawlers is another collaboration between John and Mark Polonia, from a script by Charles Hank. Continue readingIt Came from the Camcorder: Night Crawlers (1996)”

October Horrorshow: The Creeping Terror, aka The Crawling Monster

The Creeping Terror, the 1964 monster flick from producer, director, editor, and star Vic Savage, is a regular staple on ‘worst movies ever made’ lists, and it should be. Watching this flick is a mirthful, schadenfreude-filled experience. It will make a viewer shake one’s head, mystified that a movie so obviously bad could be made. It has the feel of a spoof, as if it were making fun of the low-budget monster flicks of the 1950s. But, no, this is very much a serious film.

The Creeping Terror may have been made in 1964, but, according to the internet, so it must be true, it never received a theatrical release. It lingered on a shelf somewhere until Crown International Pictures licensed it for television in the mid-1970s. Thank goodness for the clearing house for crap that was Crown International, otherwise this could have been a lost film, subject to mere rumor and speculation. Continue readingOctober Horrorshow: The Creeping Terror, aka The Crawling Monster”

It Came from the Camcorder: Video Violence

According to the internet, so it must be true, central New Jersey community theater fixture and video store operator Gary Cohen was dismayed that customers rented so much trashy horror when there was a wealth of film history available on the shelves. His response was not to refuse to rent horror flicks, but, with friend and writing partner Paul Kaye, to make his very own trashy horror movie. On video, of course.

If one is into SOV horror, Video Violence, from 1987, is essential viewing, as it’s a common entry on various SOV lists. It follows real-life couple Art and Jackie Neill (also longtime players in central New Jersey theater) as Steven and Rachel Emory, a pair of transplants from New York City who have settled in Frenchtown, New Jersey, looking for peace and quiet. Steven gave up his dream job of owning a movie theater to open a video rental store, while Rachel left a job at a law firm to take a position in Frenchtown’s administration. Their town is not as welcoming to the newcomers as they wished, nor is it as quiet. That’s because the residents of the town have become addicted to slasher flicks, and after being desensitized to the fake stuff, they have gotten into the habit of making their very own snuff videos. Continue readingIt Came from the Camcorder: Video Violence”

October Horrorshow: The Video Dead

Zombies have been portrayed in every which way from here to Timbuktu. It’s not necessary for a filmmaker to have a unique take on zombies in order to make a successful zombie film. When they do bring some new quality to the old trope, it instantly makes the film better. The Video Dead, the 1987 b-horror flick from writer, director, and producer Robert Scott, doesn’t have a lot of zombies, but they all have distinct personalities, and the way they are introduced is quite fun.

Famous writer Henry Jordan (Michael St. Michaels) is minding his business at home one morning when a delivery van arrives with a crate. Inside is a ratty television that, unbeknownst to Jordan, was supposed to be delivered to the Institute for the Studies of the Occult. Continue readingOctober Horrorshow: The Video Dead”

It Came from the Camcorder: Night Ripper!

Night Ripper! movie posterHow obscure is Night Ripper!, the 1986 SOV slasher flick from writer, director, and producer Jeff Hathcock? Well, it doesn’t have a Wikipedia page, which is a start. More impressive, however, is the Wikipedia page of featured player Larry Thomas, famous for playing the Soup Nazi on Seinfeld. The filmography section on his Wikipedia page lists every movie he’s been in with the exception of Night Ripper! Here at Missile Test, we consider that a glaring omission. Someone out there is trying to make the internet forget that he was in this dirty dog of a movie. It wasn’t Larry, as his account doesn’t list edits to his filmography. I’d add it to his page myself, but the only unpaid work I do online anymore is for this lovely website. Anyway…

Night Ripper! is not one of those SOV horror flicks that sprung from the mind of some horror fans out in flyover country. No, this is a Hollywood production, with many different departments and many different crew members. What it doesn’t have is a list of cast members in the credits alongside their corresponding character names, and only three have photos on IMDb, so I’ll be making my best guesses as to who played which role.

James Hansen (I think) plays Dave, who, along with Mitch (definitely Larry Thomas), owns a photography lab and studio. Older readers will remember this type of store, where folks could go and have their film developed, or get some glamour shots taken for their significant other. Continue readingIt Came from the Camcorder: Night Ripper!”

October Horrorshow: Zombi 3

What’s great about a zombie flick is that it doesn’t need much of a plot to be a success. It can just lurch from set piece to set piece until the main cast is winnowed down enough to call it a day. That makes zombies a perfect subject matter for Italian director Lucio Fulci.

Zombi 3 is the 1988 entry in a film series that requires its own Wikipedia page to make sense of. According to the internet, so it must be true, the screenplay was developed by Rossella Drudi, but it was her husband, Claudio Fragasso, who got the credit. Lucio Fulci is the only credited director, but, again according to the internet, he delivered a 70-minute cut that producer Franco Gaudenzi was not happy with. So, Gaudenzi enlisted Fragasso and Bruno Mattei to carry out reshoots, with Fragasso handling most of the work. The result is an 84-minute long film that makes up for its lack of cohesion with a boatload of blood and guts. Continue readingOctober Horrorshow: Zombi 3″

It Came from the Camcorder: The Screaming

Cheap, irreverent, gory, and gloriously stupid. If there are four descriptors essential to a successful SOV horror flick, those are it. Prolific shitty movie writer/director/producer Jeff Leroy’s 2000 flick, The Screaming, has all of those, in decent proportion. Although, I don’t think it would have hurt matters any to have a bit more gratuitous nudity. But, that’s a personal preference.

The Screaming stars Vinnie Bilancio (who also has a producer and production design credit) as Bob Martin, a Marlboro enthusiast and graduate student in anthropology at an unnamed southern California university (the university was played by CSU, Long Beach). Like many graduate students, Bob is flat broke, and thus has to take the cheapest off-campus housing he can find. In this case, it’s a single room in the back of a house owned by blonde bombshell Crystal (Wendi Winburn). Continue readingIt Came from the Camcorder: The Screaming”

It Came from the Camcorder: Cards of Death

It’s not uncommon in the world of SOV horror to discover that the movie one is watching was not released until many, many years had passed from its production. In general, these are bargain-basement movies, the final result of which may leave its makers and distributors leery of release. In other words, sometimes a movie is such shit that it gets stuck on a shelf and all-but forgotten about. Such is the case with Cards of Death, which sat unreleased for 28 years before Mondo Video dug it up. From 1986, Cards of Death is a horror/thriller from veteran Burbank actor Will MacMillan. Taking his first stab at writing and directing, MacMillan crafted a very bad, but also quite watchable, shitty movie from little more than videotape and breasts. Continue readingIt Came from the Camcorder: Cards of Death”

October Horrorshow: Horror High

Poor Vernon Potts. He’s the meekest kid in high school. He’s so skinny a stiff breeze would blow him over, he wears glasses (gasp!), wears his hair to hide his face, and carries himself as if he’s cowering from the world. It doesn’t help matters that, besides being bullied by his fellow students, his teachers and staff at his school treat him so unfairly that it could be considered abuse. Finally, the only girl in school who knows Vernon exists (Rosie Holotik) is also dating the star football player (Mike McHenry) who likes to beat him up. Writer J.D. Feigelson and director Larry N. Stouffer lay it on thick for Vernon in their 1973 drive-in horror flick, Horror High. Continue readingOctober Horrorshow: Horror High”

It Came from the Camcorder: Sledgehammer

David A. Prior had a dream. He wanted to be a Hollywood screenwriter. According to the internet, so it must be true, Prior decided to help that dream along by making a shot-on-video horror flick that he hoped would demonstrate his potential as an employable screenwriter. And, you know what? It didn’t work! Instead, his movie was a springboard to a career as a screenwriter, AND a director, AND a producer. This was the first, and only, movie that Prior shot on videotape. After this flick, he hit the b-movie big time, shooting on 35mm film and working with production budgets in the six figures. Continue readingIt Came from the Camcorder: Sledgehammer”