Slasher Flick – Page 6

Leprechaun

There are some bad horror franchises out there. Some are intentionally bad (I’m looking at you, Sharknado). Some, like Amityville, are victim to the fact that trademarking the name of a town is tricky, so anyone with a camera and fifty bucks can make an entry. Some, like the Leprechaun franchise, were sprung from a substandard horror flick that somehow made enough money to justify sequels.

From way back in 1993, Leprechaun was sprung from the mind of writer/director Mark Jones, and follows the tale of a murderous leprechaun (Warwick Davis) who is on the trail of his stolen gold. Continue reading “Leprechaun”

Seed of Chucky

What a stupid movie. When I wasn’t loving it, I was hating it, but never so much that I ever stopped enjoying myself. Even when the spirit-possessed Chucky doll (Brad Dourif, as ever) runs Britney Spears (Nadia Dina Ariqat) off of the road and her car explodes in a pique pop culture moment, there was but the briefest moment of doubt before buying into this ridiculous flick once more. This isn’t a good movie, but writer/director, and series creator, Don Mancini, along with producer David Kirschner, were right to go all-in on absurdity. Continue reading “Seed of Chucky”

Bride of Chucky

By the time Bride of Chucky was released, in 1998, it had been seven years since the last entry in the Child’s Play franchise. That movie, Child’s Play 3, had made a profit, and it was a better film than the first sequel, but it was clear that things were beginning to slip. Franchise fatigue was setting in. Series creator Don Mancini and producer David Kirschner must have recognized this. Their series was a contemporary of franchise slasher giants Friday the 13^th, Halloween, and A Nightmare on Elm Street. Surely Mancini and Kirschner saw the depths these franchises sank to in search of a cheap buck, and perhaps they decided that wasn’t for them. Whatever the thinking behind the fourth film in the Child’s Play franchise, Mancini and Kirschner did a brave thing when they decided to pivot and embrace the black comedic elements of the possessed killer doll Chucky, and make a film unlike the previous films. Continue reading “Bride of Chucky”

Child’s Play 3

Chucky is at it again! Despite making sure that Chucky was mutilated beyond all recognition at the end of the previous film, Don Mancini found a way to bring his baby back to life for another payday.

Released just ten months after the previous entry, in 1991, Child’s Play 3 picks up eight years after the events of Child’s Play 2. Only in fictional worlds is that kind of timeline possible.

Once more, young Andy Barclay is the protagonist. But, since Alex Vincent was selfishly incapable of aging eight years in time for filming, his part went to Justin Whalin, whom viewers might remember from his regular role on Lois & Clark. Brad Dourif returned to voice Chucky, Don Mancini returned to write the screenplay, while directing duties were handled by Jack Bender. This was his first feature film, but by 1991 he had been directing in television for the past decade. Continue reading “Child’s Play 3”

Child’s Play 2

After watching so many franchise horror sequels for this year’s Horrorshow, my low expectations for movie sequels have only been reinforced. Despite constant change in the movie industry over the last century, sequels are still treated by producers as mostly a moneymaking proposition, and not an artistic one. Hollywood is a business. We get that here at Missile Test. Not every sequel can be The Godfather Part II. Conversely, not every sequel that fails to live up to the original is as bad as Highlander II: The Quickening. Most, like Child’s Play 2, fall into a mediocre middle, an uncanny valley where a movie resembles what came before, but in a less convincing way. Continue reading “Child’s Play 2”

Child’s Play (1988)

We here at Missile Test love it when a movie with a ridiculous premise is made to work. The President of the United States must be rescued from Manhattan Island prison in a dystopian near future? Excellent movie. Dragons are awakened by subway construction in London and scorch the earth? Bring it. A grown man wears tights and a cape and beats the shit out of street level felons and/or crazed super criminals? Yeah, sure. We all seem to like that. But a murderous psychopath possessing a child’s doll and continuing to add to its death toll? That’s a big ask. Fortunately, the people behind Child’s Play, the 1988 supernatural slasher flick, knew what they were doing. Continue reading “Child’s Play (1988)”

Wes Craven’s New Nightmare, or, Dylan!!

Normally, I don’t like it when directors add their name to the title of a movie. John Carpenter did that all the time. Peruse this site, however, and one will find a review of John Carpenter’s Vampires listed as Vampires. The official title of the movie featured in this review is Wes Craven’s New Nightmare. That’s a different kind of conceit on the part of writer/director Wes Craven than what directors like Carpenter have done. For, that’s a literal title. In this movie, Wes Craven plays a character named Wes Craven, he is having a new nightmare, and that nightmare is causing trouble for the other characters. Continue reading “Wes Craven’s New Nightmare, or, Dylan!!”

Freddy’s Dead: The Final Nightmare

I may have been slightly concussed while writing the review for A Nightmare on Elm Street 5: The Dream Child. But, there is no confusion or fogginess in regards to this travesty of a movie. Freddy’s Dead: The Final Nightmare is a terrible film. It’s quite possibly the worst movie I’ve seen this year, and that’s saying something, considering I seek out bad movies. Billed as having “Saved the Best for Last,” this was the film meant to send the character of Freddy Krueger out with a bang — a grand finale that audiences would remember for all time. Continue reading “Freddy’s Dead: The Final Nightmare”

A Nightmare on Elm Street 5: The Dream Child

The consensus is that A Nightmare on Elm Street 5: The Dream Child, the 1989 entry in the franchise, stinks. It has a 31% rating on Rotten Tomatoes in both critical and audience scores. Rarely does a film find so much agreement between the proles and the pros. But, I’m going to be different. I’m going to be that guy that defends this flick. Because, while it seemed viewers were searching for a film that was just like the first Elm Street, they missed the wild fun house ride they were actually on.

Don’t think this means I feel this is a great horror film. It is not. But it was creative, and very entertaining. What more do people want out of a supernatural slasher flick, anyway? Continue reading “A Nightmare on Elm Street 5: The Dream Child”

It Happened at Nightmare Inn, aka A Candle for the Devil

It Happened at Nightmare Inn is something of a travesty. It’s a victimization of what looked to be a fairly decent Spanish horror flick from 1973 called A Candle for the Devil. That film is an 83-minute-long flick about a pair of murderous sisters who run a B&B in a rural village in Spain. It Happened One Night is a 67-minute-long cut of that film with all the juicy bits removed for American television. The cuts are so ruthless that it’s obvious to the viewer that key scenes are missing. So much has been excised that it ruins much of the storytelling, as important plot points are passed over. If at all possible, I recommend potential viewers stay away from the TV cut, unless they are curious to see what happens when a toddler with a pair of scissors is allowed to edit an already finished film.

From screenwriters Antonio Fos and Eugenio Martin, and directed by Martin, Nightmare Inn follows Marta and Veronica (Aurora Bautista and Esperanza Roy), two very Catholic sisters who spend their time judging the lifestyles of their guests. Should a female guest dress scandalously, or stay out late into the evening, there follows a severe scolding and a murder. The two are so holier-than-thou it’s infuriating, and also makes for a compelling premise. Continue reading “It Happened at Nightmare Inn, aka A Candle for the Devil”