Supernatural Flick – Page 11

October Horrorshow: A Dark Song

Horror films work quite well when they embrace spectacle. Over-the-top gore and special effects are a hallmark of the genre. But splattering blood all over isn’t the only way to make a horror flick. Sometimes a filmmaker goes for the soul underneath the flesh, and makes something disturbing.

A Dark Song is the feature film debut from writer/director Liam Gavin. From 2016, the film tells the story of two people carrying out occult rites in an isolated house in Wales in order to contact a guardian angel. This is no lightweight ritual, either. As occult expert Joseph Solomon (Steve Oram) explains to the woman who hired him to carry out the ritual, Sophia (Catherine Walker), it will be months before they know if it’s working. During that time, the two will not be able to leave the house, nor will they have any contact with the outside world. Nor could they, as there isn’t any power in the house. Or heat. Did I mention this house is in Wales? Because one would not want to live in an unheated house in Wales. All of this makes the stakes quite a bit higher than something one would see in an old Hammer flick. Continue reading “October Horrorshow: A Dark Song”

October Horrorshow: Inferno (1980)

Three years after horror auteur Dario Argento gave us the vibrant classic Suspiria, he waded back into brilliant color and dreamlike atmosphere by writing and directing Inferno. Described as a thematic sequel to Suspiria, Inferno is the second film of Argento’s Three Mothers trilogy. Whether this film was truly intended to be related to Suspiria or if such a decision was commercial in nature is debatable. Either way, sequel or thematic cousin or whatever, Inferno is clearly an Argento film. Continue reading “October Horrorshow: Inferno (1980)”

October Horrorshow: Shock, aka Beyond the Door II

Beyond the Door II movie poster Mario Bava was a giant of horror. His Black Sunday is an atmospheric horror classic that should be on any horror fan’s list of films to see. Shock, released in the United States as Beyond the Door II (it bears no relation to Beyond the Door — the title was strictly promotional), was Bava’s last film before his death. It’s not a bad way to go out, but it’s also a workaday horror film, missing the weirdness that made Bava’s other works, and Italian horror films in general, so special.

The film, released in 1977, follows the travails of the Baldini family. Things are going just fine at the start. Bruno Baldini (John Steiner), his wife, Dora (Daria Nicolodi), and Dora’s son from her first marriage, Marco (David Colin, Jr.), move to a new house. It’s not a new house for Dora, however. It’s the house in which she and her first husband used to live, before he killed himself. That tragedy sent Dora around the bend, ending in a stay at a psychiatric hospital. Despite this, after she has put her life back together and restarted a family, she agrees to move back into the house. It’s a nice place, but still…

Shock sets itself up as fairly standard ghost fair. For most of the movie, that’s what we get. Marco is the first to notice the spectral happenings, but being a child in a film like this, he is unconcerned, and strangely receptive. It’s Dora that becomes bothered by supernatural hallucinatory visions. Meanwhile, Bruno is the typical father figure in familial ghost flicks — skeptical and largely absent. Continue reading “October Horrorshow: Shock, aka Beyond the Door II”

October Horrorshow: The Lost Boys

To some movie fans, filmmaker Joel Schumacher is still paying penance for Batman and Robin. This page reconsidered that film a few years back, and concluded the problem lay more with viewers’ expectations than Schumacher’s final product. Still, no matter how people feel about that film, Joel Schumacher will be forever associated with putting nipples on the batsuit, when his greatest contribution to film was this operatic gem from the 1980s. Continue reading “October Horrorshow: The Lost Boys”

October Horrorshow: God Told Me To

God Told Me To movie poster Detective Peter Nicholas (Tony Lo Bianco) of the NYPD has himself a bear of a case. Massacres have been happening all over the city, all carried out by different people, and all at random. There’s only one thing each of these awful events has in common: each of the perpetrators has said that God told them to do it. How is he supposed to stop that?

God Told Me To comes to us via writer, director, and producer Larry Cohen. This isn’t Cohen’s first appearance in the Horrorshow, having helmed the execrable film The Stuff . Whereas that film felt rushed, this earlier effort, from 1976, feels much more meticulous.

As much cop flick as horror, the film follows Detective Nicholas as he tries to find the common thread, other than the bizarre pronouncements from the perpetrators, that connects such disparate killings. It turns out that these killers aren’t suffering from some hallucination. There really is someone telling them to kill. Why they become so convinced that this person is God is one of the mysteries that Nicholas must solve. Continue reading “October Horrorshow: God Told Me To”

October Horrorshow: The Dead Pit

One would be hard-pressed to find a horror film that takes as much inspiration from the works of Dario Argento as The Dead Pit, the 1989 film from first-time director Brett Leonard.

From a screenplay by Leonard and the film’s producer, Gimel Everett, The Dead Pit stars Cheryl Lawson as Jane Doe, a patient at a mental hospital suffering from amnesia. Only she claims it isn’t amnesia at all. She says that a mysterious doctor removed her memories surgically. Her therapist, Dr. Swan (Jeremy Slate), doesn’t believe her, of course. He thinks some traumatic event in her past has welled up in the present and caused her brain to lock away her memories. Although, he of all people should listen a little more closely to her claims. Continue reading “October Horrorshow: The Dead Pit”

October Horrorshow: The House of Seven Corpses

The House of Seven Corpses movie poster By 1974, gothic horror films were falling out of fashion. The year saw the last gasps from the major franchises of Hammer Film Productions, with the releases of Frankenstein and the Monster from Hell and The Legend of the 7 Golden Vampires. The genre had come a long way, but by the time this film, The House of the Seven Corpses, was released, seriously bloody slasher horror was making its presence felt. If a filmmaker was going to do gothic horror, it needed to have a twist.

Paul Harrison wrote (with Thomas J. Kelly) and directed The House of Seven Corpses. It stars John Ireland as filmmaker Eric Hartman. He has assembled a cast and crew to shoot a gothic horror flick at the old mansion of the Beal family (the mansion is played by the Utah Governor’s Mansion in Salt Lake City). And there’s the twist. It’s a gothic horror movie within a horror movie.

The Beals are all dead by the time Hartman begins shooting his movie, and they all died violently. There being no more Beals, the house is watched over by Edgar Price (John Carradine), a caretaker. Continue reading “October Horrorshow: The House of Seven Corpses”

October Horrorshow: The Ritual

A creepy cabin in some lonely woods. A small cast. A mysterious monster that stalks them. Most of us film fans have seen this movie many, many times. Such a broad outline has spawned hundreds of horror films over the years. Some are good, some are awful, and most are just mediocre. In that, these horror films are like every other film that features well-worn tropes. One can’t expect too much originality, which makes it all the better when something new is to be found. Continue reading “October Horrorshow: The Ritual”

October Horrorshow: They’re Watching

It just doesn’t feel like the October Horrorshow until the first review of a found footage flick has been posted. This year the honor goes to They’re Watching, the 2016 film from writing and directing duo Jay Lender and Micah Wright.

The film follows the crew of a home improvement reality show. They are going back to Moldova six months after the subject of an episode, Becky Westlake (Brigid Brannagh), bought and began to rehab a dilapidated house in the woods. The place looked like a total lost cause. It had been empty for decades. All the glass had been broken. Walls and floors had been exposed to wind, rain, freezing, thawing, vandalism, and everything else that causes an abandoned building to slowly fall apart. The best thing would have been to knock it down and start over. But, when the crew arrives on site, after a somewhat harrowing journey to the house, they find that Becky appears to have done a top-notch job. Continue reading “October Horrorshow: They’re Watching”

October Horrorshow: It (2017)

It, the 1986 novel from Stephen King, clocks in at over 1,100 pages. It’s a massive tome, from a part of King’s career in which it seemed he was abusing his editors. 1,100 pages is a huge commitment for a reader to make — one in which they are prepared to spend weeks or months with a book. How does one translate such an expansive work to the big screen? Peter Jackson might have some thoughts on that.

It, the 2017 film from director Andy Muschietti, is the first in a planned two movies that cover the source material. The novel has two main parts, as well, and this movie covers the first. Continue reading “October Horrorshow: It (2017)”