Tag: Thriller Flick

October Horrorshow: Pitch Black

Pitch Black movie posterI’m a sucker for Alien ripoffs. Really, I am. Something about the shared stories (monsters whittling down hapless cast members) strikes something elemental in my brain. The formula for films like Alien seems so fundamentally sound to modern storytelling that I bet, had he been alive in the era of science fiction, the Bard himself would have come up with it.

Pitch Black, from the year 2000, has, since its release, ensconced itself as both a cult film and a classic entry in the sci-fi monster subgenre. I’m having a hard time recalling a film that held so little promise yet ended up being quite so watchable. I remember heading to the theater to see it thinking I was in for a real shitfest, but I was wrong. Sure, Pitch Black won’t make most critics’ top 500 lists anytime soon, but for a film with such a derivative nature, and therefore incurring such dismal prospects, it was pleasantly surprising. In a less backhanded way, if a viewer refuses to compartmentalize the flick into preconceived notions of what a good science fiction film is supposed to be, they should discover that Pitch Black is a good science fiction film. Continue reading “October Horrorshow: Pitch Black”

October Horrorshow: Insidious

InsidiousAccording to the IMDb page for Insidious, Leigh Whannell kept a list of horror movie clichés handy while he was writing the screenplay. He didn’t want his project to slip into the same predictable traps that mar so much horror cinema. With that list staring him in the face day in and day out, presumably, Insidious would turn out to be a film that was totally fresh, one that even audience members with hundreds of hours invested in the genre would find enjoyable. That is a very laudable goal, and a bit of a risk. Just because a film is formulaic does not mean it is a bad film. In its most basic sense, it just means the film will feel familiar to many people watching it. And as we all know, people like the familiar. As much as we like to pretend humanity is a collection of adventurous people, the opposite is in fact true. That’s why tourists eat at the same restaurants they have back home. It’s why popular music at times can sound like the same song done over and over again by a hundred different groups. And that’s why sequels, remakes, and carbon copies of previous successes make money at the box office. It’s just the way things are. Continue reading “October Horrorshow: Insidious”

October Horrorshow: Hannibal Rising

Some movies just don’t need to be made. Did we really need a reboot of the Spider-Man franchise this past year? Or another Texas Chainsaw Massacre remake so soon after the last one? Do we need any of the reboots, remakes, sequels, rethinkings, reimaginings, spinoffs, etc., that we get every year? Of course not. But as long as we keep paying to see them, Hollywood will keep making them.

Case in point, Hannibal Rising, from 2007. Continue reading “October Horrorshow: Hannibal Rising”

October Horrorshow: Trollhunter, or, The Troll Hunter…Whatever

Trollhunter movie posterI have to admit, I’m getting pretty sick of found footage horror films. The technique was unique for only a small handful of films, but it crossed into gimmick very quickly. I don’t seek out these films. To prepare for the October Horrorshow, a lot of times I’ll just grab whatever is currently popular for rent or whatever has made a splash in the last few years. This has led me to watch Quarantine, Grave Encounters, The Last Exorcism, Paranormal Activity, Apollo 18, Cloverfield, Diary of the Dead, The Tunnel, REC, many, many others, and now, Trollhunter.

These days, watching so many found footage horror flicks is a bit like being a connoisseur of fast food burgers. Sure, there are some good ones out there, but you have to shove down a whole lot of big macs and junior whoppers in your quest to find one. Flashes of grilled perfection are found in too few breaks in the normal routine of noxious, artery-clogging, commodity fare that does naught more than fill both bellies and graves. Real love and care are not just offset, but dominated by the work of hucksters who would prefer a person not think too much about how they are feeding both mind and body. Why would a person subject themselves to this? Dear reader, I do it for you. I do it...for you. Continue reading “October Horrorshow: Trollhunter, or, The Troll Hunter...Whatever”

October Horrorshow: Mama

MamaThe last horror flick I saw with Guillermo del Toro serving as executive producer was The Orphanage, from 2007. I reviewed it in last year’s Horrorshow, and while I did like it, I lambasted it for its derivative nature. This time around, the film del Toro chose to attach his name to is Mama, from writer/director Andres Muschietti. It’s also a fairly derivative horror flick, in that there’s not much happening on screen that will be all that unfamiliar to horror fans, but unlike The Orphanage, I couldn’t find any quotes online where the director is being a pretentious ass, so there’s that.

Mama tells the story of two lost little girls and the ghost that loves them. Beginning during the financial crisis in 2008, a businessman played by Nikolaj Coster-Waldau goes on a murderous killing spree (thankfully off camera). He kidnaps his two young daughters and flees the city for the countryside. After a car accident, the trio are lucky to survive, and they seek shelter in an abandoned cabin in the woods. There, Nikolaj is about to finish off his bad day by killing his daughters, but a spectral apparition inhabiting the cabin gets to him first, saving the girls’ lives. Continue reading “October Horrorshow: Mama”

October Horrorshow: Christine

A general rule: films that are adaptations of books are not as good as the book. Why should they be? A film removes all the grace of prose, and by necessity compresses the story. Sometimes, though, films are better than their source material, and the rule is reversed. Jaws, Wolfen, Die Hard (aka Nothing Lasts Forever), Full Metal Jacket (aka The Short-Timers)...a list like this could go on and on. It’s strangely satisfying to watch a film that’s better than the book. But also confusing. All those films I cited above come from mediocre books. Yet the mind of a filmmaker was able to read them and think, “Yeah, this would make a good movie.” Okay. Continue reading “October Horrorshow: Christine”

October Horrorshow: Poltergeist

So, who really directed Poltergeist? Part of the Hollywood mythos the last few decades treats this as an open question. Was it Tobe Hooper, the man at the top of the credits? Or was it producer Steven Spielberg? It was such a serious concern among the Directors Guild that they launched an investigation into whether or not Spielberg had tried to snatch credit away from Hooper. Honestly, no one involved is saying definitively one way or the other, but Hooper is a competent storyteller with fine directorial vision, and I can’t see him having a film taken away from him. That being said, it’s also hard to picture Spielberg letting a director that was not him have total creative control over a flick he was very much involved in as producer. So did Spielberg direct Poltergeist? Who knows, and who cares? Continue reading “October Horrorshow: Poltergeist”

Shitty Movie Sundays: Orca

There are plenty of people to blame for this shitty movie. There’s director Michael Anderson, producers Dino De Laurentiis and Luciano Vincenzoni; maybe even star Richard Harris. While their culpability would hold up in a court of law, the person I hold the most accountable is Steven Spielberg. If he had not ushered in the era of the blockbuster with Jaws, there is no way in hell anyone, anywhere, at any time in cinematic history, would have made Orca. Well, maybe the guys over at Asylum would have...but not in 1977. Continue reading “Shitty Movie Sundays: Orca”