Month: October 2021

Attack of the Franchise Sequels: Critters 2

What month of horror franchise reviews would be complete without visiting the redheaded stepchild of 1980s horror franchises? The first Critters film was released to widespread yawns and accusations of thievery from Gremlins, but I maintain that this series of films is an indelible part of the experience of 1980s horror. All of these films are cheap, bloody, nicely tongue-in-cheek, shitty, and more entertaining than they should be.

Coming to audiences in 1988, Critters 2 picks up two years after the events of Critters, and assumes, quite fancifully, that one has seen the first film. Continue reading “Attack of the Franchise Sequels: Critters 2″

October Horrorshow: The Green Inferno (2013)

Eli Roth isn’t just a filmmaker. He’s a student of film, with a well-known passion for horror films — Italian horror in particular. One of his favorites happens to be Cannibal Holocaust, which is amongst the most difficult of films to sit through, with its depictions of cannibalism and real animal slaughter. Of course it would only be a matter of time before Roth, the director of two supremely gory and unsettling Hostel movies, would turn his twisted eye to subject matter like that, sans killing animals.

From 2013, and written by Roth and Guillermo Amoedo, The Green Inferno (the title is a nod to Cannibal Holocaust, as ‘The Green Inferno’ was the title of the film-within-a-film that characters were shooting) follows a group of student protesters who travel to the Peruvian jungle to stop a gas company from bulldozing the village of an isolated tribe. As the protesters are heading home, their small plane crashes shortly after takeoff, and the survivors find themselves prisoners of the very tribe they were trying to save. If one has not guessed it by now, the tribe are headhunting cannibals, and waste no time preparing dinner in grisly fashion. Continue reading “October Horrorshow: The Green Inferno (2013)”

Attack of the Franchise Sequels: Leprechaun 4: In Space

This is the shameless, absurd piece of shit movie that I have been waiting for this series to produce. With Leprechaun 4: In Space, the filmmakers finally said, “fuck it,” and jettisoned everything that hindered this substandard horror franchise. By that, I mean Earth. The first three flicks were somewhat tongue-in-cheek, but they never lived up, or down, to their potential. This film is the turning point.

Like its predecessor, Leprechaun 4 went straight to video. That was a wise decision. The opening shot — in SPACE! — has some of the worst CGI a viewer is likely to see anywhere, and it sets the tone for the rest of the film. Realism was not within the grasp of the budget, and the result would not have been acceptable for a theatrical release. That also means director Brian Trenchard-Smith was freed from the shackles of even middling expectations. Continue reading “Attack of the Franchise Sequels: Leprechaun 4: In Space”

October Horrorshow: Bloody Pit of Horror, aka Il boia scarlatto

Bloody Pit of Horror movie posterWhat a wonderful pile of cheese. And what a wonderful title. Bloody Pit of Horror. It just rolls off the tongue. Of course, there have been countless bad horror flicks with great titles. What makes this less disappointing than so many others is a certain lightheartedness — a feeling that one is watching a funhouse flick. At no point is any of this film meant to be taken seriously. It’s not a black comedy, but neither is it a downer. Rather, it’s as if everyone’s favorite gang of youths in the neighborhood got together to make a backyard play for all the parents to see, maybe to raise some money for Billy’s operation. Aw, gee whiz, it sure is neat. It’s also Italian, which means it is shameless schlock.

From way back in 1965, Bloody Pit of Horror stars legendary sword-and-sandal actor Mickey Hargitay as Travis Anderson, a former sword-and-sandal actor who has taken up residence in an abandoned castle and surrounded himself with some of the Joker’s henchmen. Continue reading “October Horrorshow: Bloody Pit of Horror, aka Il boia scarlatto”

Attack of the Franchise Sequels: Leprechaun 3

Most horror franchises have a seminal first film, one that grabs the attention of horror fans, and then the franchise limps its way to irrelevancy. Sequels descend in quality to the point the filmmakers are clearly in it for the cash and nothing else. The Leprechaun franchise is different from, say, the Halloween franchise or the Nightmare on Elm Street franchise, because it has been shit from day one. The first flick was bad, the second flick was worse, and Leprechaun 3 feels like a last gasp before everyone went home and pretended none of this ever happened. Continue reading “Attack of the Franchise Sequels: Leprechaun 3″

October Horrorshow: The Night Eats the World, aka La nuit a dévoré le monde

Ah, zombie flicks. So many possibilities, and so many variations. The basics are always there, with tweaks as required by the storytellers. It’s a subgenre of horror that’s so versatile that filmmakers have to truly work hard to make something that’s unwatchable. No worries, there, with 2018’s The Night Eats the World. This is a fine entry into the oeuvre of the undead.

Adapting a novel by Pit Agarmen, The Night Eats the World comes to us from screenwriters Jérémie Guez, Guillaume Lemans, and Dominique Rocher, with Rocher directing. From that list of names, one can guess that this film hails from France. It does, but it was filmed in English. Continue reading “October Horrorshow: The Night Eats the World, aka La nuit a dévoré le monde”

Attack of the Franchise Sequels: Leprechaun 2

I am baffled, flabbergasted, dumbfounded, astonished, nonplussed. I am deep into the thesaurus when it comes to how I regard Leprechaun 2, the 1994 sequel to filmmaker Mark Jones’ magnum opus. The first flick stank. It only made a little over eight and a half million bucks at the box office, yet it spawned a film franchise that has now spanned a quarter century. I admire the fact that everyone involved keeps making these shitty flicks despite an unending wave of negative criticism. It’s just that in a country known for such ruthless capitalism, I’m surprised these turds keep finding financial backing. Continue reading “Attack of the Franchise Sequels: Leprechaun 2″

October Horrorshow: Leprechaun

There are some bad horror franchises out there. Some are intentionally bad (I’m looking at you, Sharknado). Some, like Amityville, are victim to the fact that trademarking the name of a town is tricky, so anyone with a camera and fifty bucks can make an entry. Some, like the Leprechaun franchise, were sprung from a substandard horror flick that somehow made enough money to justify sequels.

From way back in 1993, Leprechaun was sprung from the mind of writer/director Mark Jones, and follows the tale of a murderous leprechaun (Warwick Davis) who is on the trail of his stolen gold. Continue reading “October Horrorshow: Leprechaun”

Attack of the Franchise Sequels: Seed of Chucky

What a stupid movie. When I wasn’t loving it, I was hating it, but never so much that I ever stopped enjoying myself. Even when the spirit-possessed Chucky doll (Brad Dourif, as ever) runs Britney Spears (Nadia Dina Ariqat) off of the road and her car explodes in a pique pop culture moment, there was but the briefest moment of doubt before buying into this ridiculous flick once more. This isn’t a good movie, but writer/director, and series creator, Don Mancini, along with producer David Kirschner, were right to go all-in on absurdity. Continue reading “Attack of the Franchise Sequels: Seed of Chucky”

October Horrorshow: The Similars, aka Los Parecidos

It was a dark and stormy night in early October, 1968. Like, really stormy. So stormy that, according to radio broadcasts, the entirety of North America, and possibly the world, was enveloped in cloud and heavy rain. At a bus station a few hours drive from Mexico City, a man, Ulises (Gustavo Sánchez Parra), is frantic as he awaits the delayed bus into the city. He’s anxious because his wife has gone into a difficult labor, and he wants to be by her side. But, the rain has made travel impossible.

Ulises harangues the station agent, Martin (Fernando Becerril), who is set to retire and is uninterested in any of Ulises’s nonsense. Ulises calls the hospital in Mexico City, and the garbled call he has with his father-in-law does nothing to allay his fears. Continue reading “October Horrorshow: The Similars, aka Los Parecidos”