October Horrorshow: Tremors

I’ve written about this before, but my old man had an affinity for bad cinema. Especially the sci-fi variety. It didn’t matter what it was or how bad it was. If it had something to do with space or monsters, he had a hard time looking away. Good sci-fi got the wheels turning, while bad sci-fi brought out his guttural chuckling and whooping. If it was too bad to be funny, then came groans and profanity. Hmm...kind of like me. Continue readingOctober Horrorshow: Tremors”

October Horrorshow: Pitch Black

Pitch Black movie posterI’m a sucker for Alien ripoffs. Really, I am. Something about the shared stories (monsters whittling down hapless cast members) strikes something elemental in my brain. The formula for films like Alien seems so fundamentally sound to modern storytelling that I bet, had he been alive in the era of science fiction, the Bard himself would have come up with it.

Pitch Black, from the year 2000, has, since its release, ensconced itself as both a cult film and a classic entry in the sci-fi monster subgenre. I’m having a hard time recalling a film that held so little promise yet ended up being quite so watchable. I remember heading to the theater to see it thinking I was in for a real shitfest, but I was wrong. Sure, Pitch Black won’t make most critics’ top 500 lists anytime soon, but for a film with such a derivative nature, and therefore incurring such dismal prospects, it was pleasantly surprising. In a less backhanded way, if a viewer refuses to compartmentalize the flick into preconceived notions of what a good science fiction film is supposed to be, they should discover that Pitch Black is a good science fiction film. Continue readingOctober Horrorshow: Pitch Black”

October Horrorshow: Critters, or, Power of the Night!

I don’t think I’ve seen this movie since the late 1980s. That’s almost thirty years of depriving myself of big hair, a pack of unstoppable, ravenous fur balls that are more teeth than animal, and Power of the Night, the number one single by Johnny Steele. Oh yeah, this was the decade I grew up in, with all its foibles, bad fashion, and shit music. This was the decade that put Eric Clapton in pastels and convinced teenagers everywhere that synthesizers were an acceptable accouterment to rock music. And my God, Reagan was in the White House. No, no, no. If it weren’t for the amazing run of substandard cinema throughout the decade, I would want to have the entire time wiped clean from my memory. Continue readingOctober Horrorshow: Critters, or, Power of the Night!”

October Horrorshow: DeepStar Six

What a putrid mess. But, I’ve been watching far too many good or passable movies of late (ha!). I needed to get back in the shit. Once a person gets into shitty movies they can’t stay away for long. The world stops making sense. Things seem to slow down and speed up at the same time. Knowledge begins to lack clarity, begins to fade, and taken to its extreme, all that’s left is a blank stare into the abyss. It’s not pretty. Thank goodness DeepStar Six was there to save the day! Continue readingOctober Horrorshow: DeepStar Six”

October Horrorshow: The Colony (2013)

I don’t know why, but I love stories with an Arctic setting. The poles are some of the most inhospitable places on the planet for life, topped only by the few locations that rise into the deoxygenated death zones at the tops of mountains. The starkness, the harshness, of these places I find fascinating. So much so that, once upon a time, I looked into getting a job summering over at McMurdo Station in Antarctica. Alas, I am unqualified. They have PhD’s down there scrubbing toilets. What more can I offer? Continue readingOctober Horrorshow: The Colony (2013)”

October Horrorshow: Cockneys vs Zombies

This one was oh, so close. A tribute to London’s East End, that also acts as a quasi homage to both Shaun of the Dead and the works of Guy Ritchie, Cockneys vs Zombies is a film that just fell short of living up to its premise. That premise is: a bunch of East Enders with a unique grip on the English language suddenly find themselves in the middle of the zombie apocalypse. Continue readingOctober Horrorshow: Cockneys vs Zombies”

October Horrorshow: Resident Evil: Retribution, or, Story? We Don’t Need No Stinking Story!

October is here. Rejoice! For this is the best month in which to watch horror films. Summer has just died and the month ends with Halloween. The chill that has suddenly arisen in the air portends the coming cold slumber of winter...or the passing whisper of a phantom. To celebrate, Missile Test once again dedicates the month to reviewing horror films. The good, the bad, or the putrid. It doesn’t matter. If there’s blood, it gets a watch. Welcome to the fifth annual October Horrorshow. First up is a real winner. Continue readingOctober Horrorshow: Resident Evil: Retribution, or, Story? We Don’t Need No Stinking Story!”

Shitty Movie Sundays: The Last Stand, or, Look! The New Chevys Are Out!

The Last Stand movie posterArnold Schwarzenegger hasn’t starred in a movie in ten years, since Terminator 3. In The Last Stand, his first major foray onto the silver screen since he ended his time as governor of California, Arnold (normally I’d refer to a person by their last name in an article, but I’m not going to subject myself to typing out Arnold’s last name more than once) plays Ray Owens, the sheriff of a small border town in Arizona. He’s a former narcotics cop from the mean streets of Los Angeles, and the wistful gazes with which he paints his little town in the opening scenes are evidence that he prefers this life in small town America to the one he left behind in the LAPD. It’s either that, or Arnold was just thrilled to be back in a starring role. I can’t tell, but it’s easy to picture the film’s director, Kim Jee-Woon, instructing Arnold to express his real feelings of satisfaction at being back in the spotlight for these scenes, as getting Arnold to display any emotional range at all is more difficult than flying the space shuttle.

That’s not a knock on Arnold. Well, not much of one. After all, I never, not once, went into an Arnold Schwarzenegger (whoops, that’s two) flick expecting an Oscar worthy performance. Action flicks aren’t about nuance. They’re about violence and blowing shit up. Seeing Arnold in anything else is a waste of mine, and everybody else’s, time (I’m looking at you, Twins, Kindergarten Cop, Junior, and Jingle All the Way. In fact, I’m not looking at you. I’m going to pretend those films never happened, like Michael Jordan playing for the Wizards or Miles Davis coming out of retirement in 1981. My goodness, did I just equate Arnold Schwarzenegger [that’s three] to the greatest basketball player of all time and the greatest jazz musician of all time? Yes. Yes, I did. And you know what? That’s okay, because while Arnold is not the greatest actor of all time, he has a solid case for being the greatest action star of all time, and that has to count for something, right?). Continue readingShitty Movie Sundays: The Last Stand, or, Look! The New Chevys Are Out!”

Shitty Movie Sundays: Olympus Has Fallen

I’m heartened by the savviness shown by the audience members during a showing of Olympus Has Fallen this weekend. This was a crowd that was having none of director Antoine Fuqua’s shenanigans. It was clear from the moment the first commercials hit the airwaves that this film would be utter nonsense. It appeared that most of the people in the theater came with the knowledge they would be watching a total piece of shit, and they didn’t care. They were there for the shitty, for the schadenfreude, and for all the other reasons that bad movies entertain us. They were laughing and groaning in all the right places. It was my kind of crowd. Continue readingShitty Movie Sundays: Olympus Has Fallen”